Steven Soderbergh

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Steven Soderbergh
Steven Soderbergh on the set of Solaris.
Birth name	Steven Andrew Soderbergh
Born	January 14, 1963 (age 44) Atlanta, Georgia, USA
Spouse(s)	Betsy Brantley (? - 1994) (divorced) 1 child Jules Asner (10 May 2003 - present)
Academy Awards
Best Director 2000 Traffic

Steven Andrew Soderbergh (born January 14, 1963 in Atlanta, Georgia) is an American film producer, screenwriter, cinematographer, editor, and Oscar-winning director.

Contents 1 Biography 1.1 Early life and career genesis 1.2 Breakthrough: sex, lies, and videotape 1.3 Work from 1993 to 1998 1.4 More success: 1999 and 2000 1.5 Work in years 2001 to 2007 2 Latest work 3 Directorial style and collaborations with actors 4 Aesthetics 5 Trivia 6 Filmography 6.1 Director 6.2 Screenwriter 6.3 Cinematographer 6.4 Editor 6.5 Producer 7 Major Awards 8 External links

[edit] Biography

[edit] Early life and career genesis

Soderbergh was born to parents with Swedish ancestry. As a child, his family moved from Atlanta to Baton Rouge, Louisiana, where his father became dean of education at Louisiana State University (LSU). There he discovered filmmaking as a teenager, directing short Super 8 mm films with equipment borrowed from LSU students. [1] Rather than attending LSU, Soderbergh tried his luck in Hollywood after graduating from high school; he worked as a game show scorer and cue card holder to make ends meet, and eventually found work as a freelance film editor. [2] His big break came when he directed the Grammy-nominated concert video 9012 Live for the rock band Yes in 1985. [3]

[edit] Breakthrough: sex, lies, and videotape

It wasn't until Soderbergh came back to Baton Rouge that he conceived the idea for sex, lies, and videotape (1989), which he wrote in eight days. The independent film won the prestigious Palme d'Or at the Cannes Film Festival, became a worldwide commercial success and — along with Quentin Tarantino's Pulp Fiction — greatly contributed to the 1990s independent film revolution. Movie critic Roger Ebert dubbed Soderbergh the "poster boy of the Sundance generation." [4]

[edit] Work from 1993 to 1998

Sex, lies, and videotape was followed by a series of low-budget box-office disappointments: Kafka, a biopic starring Jeremy Irons as Franz Kafka; King of the Hill (1993), a critically acclaimed Depression-era drama; Underneath (1995), a remake of Robert Siodmak's 1949 film noir Criss Cross; and Schizopolis (1996), a comedy which he starred in, wrote, composed, and shot as well as directed.

Making good on his Schizopolis-inspired "artistic wake-up call," his commercial slump ended in 1998 with Out of Sight, a stylized adaptation of an Elmore Leonard novel starring George Clooney and Jennifer Lopez. [5] The film was widely praised, though not a box-office success. It reaffirmed Soderbergh's potential, sparking the beginnings of a lucrative artistic partnership between Clooney and Soderbergh.

[edit] More success: 1999 and 2000

Soderbergh followed up on the success of Out of Sight by making another crime caper, The Limey (1999), starring veteran actors Terence Stamp and Peter Fonda. The film was well-received, but not as much as Erin Brockovich (2000), a "Rocky movie" he directed, starring Julia Roberts in her Oscar-winning role as a single mother taking on industry in a civil action. [6] Later that year, Soderbergh released his most ambitious project yet (with a running time of 147 minutes, the film had 135 speaking parts set in eight different cities), Traffic, a social drama which featured an ensemble cast.

Traffic became his most acclaimed movie since sex, lies, videotape, and earned him an Academy Award for Best Director. One of the other nominees that he defeated was... Steven Soderbergh, for Erin Brockovich. He is the only director to have been nominated in the same year for Best Director for two different films by the Academy Awards, the Golden Globes and the Directors Guild of America. It was the first time it had happened at the Oscars for 60 years.

[edit] Work in years 2001 to 2007

Ocean's Eleven (2001), featuring an all-star cast and flashy aesthetics, is Soderbergh's highest grossing movie to date, grossing more than $183 million. [7] The film's star, George Clooney, subsequently appeared in Solaris (2002), marking the third time the two have headlined a film. In the same year, Soderbergh made Full Frontal which was shot mostly on digital video in an improvisional style that deliberately blurred the line between which actors were playing characters and which were playing fictionized versions of themselves. A film within a film, the title is a film industry reference to an actor or actress appearing fully nude (aka, "full frontal nudity").

Following up Full Frontal stylistically was Soderbergh next project, K Street (2003), a ten-part political HBO series he co-produced with Clooney. The series was noteworthy for being both partially improvised and each episode being produced in the 5 days prior to airing to take advantage of topical events that could be worked into the fictional narrative. Actual political players appeared as themselves, either in cameos or fictionalized versions of themselves (as were the leads, real life husband and wife James Carville & Mary Matalin). The show caused a stir during the 2004 Democratic Primary when Carville gave candidate Howard Dean a soundbite during a location shoot that Dean then used in a debate.

Ocean's Twelve (2004), a sequel to Ocean's Eleven, has followed. The Good German a romantic drama set in post-war Berlin starring Cate Blanchett and Clooney was released in late 2006. The sixth pairing of Clooney and Soderbergh is due in the spring of 2007 - Ocean's Thirteen

[edit] Latest work

In 2006, Soderbergh raised eyebrows with Bubble, a $1.6 million film featuring a cast of nonprofessional actors. It opened in selected theaters and HDNet simultaneously, and four days later on DVD. Industry heads were reportedly watching how the film performed, as its unusual release schedule could have implications for future feature films. [8] [9] Theater-owners, who have recently been suffering from dropping attendance rates, do not welcome so-called "day-and-date" movies. [10] National Association of Theatre Owners president and CEO John Fithian indirectly called the film's release model "the biggest threat to the viability of the cinema industry today." [11] Soderbergh's response to such criticism: "I don't think it's going to destroy the movie-going experience any more than the ability to get takeout has destroyed the restaurant business." The film did poor business both at the box office and on the home video market. [12] Nevertheless, Soderbergh is on contract to deliver five more day-and-date movies. In fall of 2006 he contributed a mini-essay on hotel pornography, along with an accompanying series of long-exposure photographs, to Anthem magazine's November/December issue.

[edit] Directorial style and collaborations with actors

"I've always gotten along with them," says Soderbergh of actors, "I try and make sure they're OK, and when they're in the zone, I leave them alone. I don't get in their way."; his non-intrusive directorial style has attracted repeat performances by many high-profile movie stars. [13] Julia Roberts had supporting roles in Ocean's Eleven, Ocean's Twelve, and Full Frontal, and won an Academy Award for Best Actress for her lead in Erin Brockovich. Benicio Del Toro, who also won an Academy Award for his work in a Soderbergh film (Traffic), is starring in the upcoming Guerrilla. Other frequent sightings in Soderbergh's filmography include character actors Luis Guzmán (Out of Sight, The Limey, and Traffic) and Don Cheadle (Out of Sight, Traffic, Ocean's Eleven, and Ocean's Twelve). But the actor who played the leading role in no fewer than six of his films is George Clooney, with whom he co-owns the film production company, Section Eight Productions. Section Eight produced the critical hits Far From Heaven, Insomnia, and Syriana as well as the Clooney-directed films Confessions of a Dangerous Mind and Good Night, and Good Luck. Soderbergh and Clooney are reportedly planning to shut down Section Eight by the end of 2006. [14]

Soderbergh often acts as his own director of photography under the alias of Peter Andrews and occasionally as his own editor under the alias of Mary Ann Bernard. While shooting Traffic, Soderbergh wanted a credit of 'Photographed and Directed by'. The Writer's Guild (WGA) wouldn't allow another credit ahead of the writer. Because Soderbergh didn't want his name used more than once, he adopted a pseudonym, Peter Andrews, his father's first and middle names.

As of 30 April 2006, his projects in production include Guerrilla, starring Benicio Del Toro as Che Guevara, and Ocean's Thirteen. [15]

Soderbergh is expected to start directing Warner Brother's true story, The Informant, October, 2007 starring Matt Damon. The Informant is about a corporate whistleblower, Mark Whitacre, that goes undercover for the FBI for 2 & 1/2 years at a Fortune 500 company in one of the largest price-fixing cases in history.[16] [17]

[edit] Aesthetics

It is difficult to find a common thread between Soderbergh's movies. He has made big-budget Hollywood films as well as art-house independent films; worked with above-the-title movie stars as well as unknowns; and directed adaptations as well original material, both of which were written by himself as well as other screenwriters. His versatility is also apparent with the genres which he chooses to film and his trades as a filmmaker behind the scenes. Traffic screenwriter and Syriana director Stephen Gaghan named Soderbergh "the Michael Jordan of filmmaking" for his ability to assume so many distinct roles in film production.

But while Soderbergh's subject matter is highly varied, many of his films feature as a central theme the exploration of the act or moral consequences of lying. For example, the protagonists in two early films, King of the Hill and sex, lies, and videotape, are both pathological liars (one in training, one in recovery), while most of the characters in both Oceans films are con artists. Directing Spalding Gray in Gray's Anatomy after King of the Hill was a striking, related transition to a monologue by Gray, an actor who often commented that he was unable to "make anything up". Full Frontal is another film in this thread, where seemingly the fundamental dishonesty of the entire filmmaking process is exposed. More distantly, Soderbergh's interest in Cockney rhyming slang, as seen in The Limey and the Oceans films, may be seen as part of this theme, based on the conjectured origin of Cockney rhyming slang as a language game.

[edit] Trivia

• He is the youngest director to receive the Palme d'Or, at age 26.
• Both his films in 2000, Erin Brockovich and Traffic, were nominated for an Academy Award for Best Directing. Soderbergh was the first director to be nominated for two films in the same year since Michael Curtiz in 1938.
• In March 2002, Soderbergh was elected first vice president of the Directors Guild of America.
• At 130 words, Soderbergh gave the shortest Oscar speech in 2000. [18]
• He wrote Criminal and Underneath under the lesser-used pseudonym, Sam Lowry (the name of the main character in Terry Gilliam's film Brazil).
• Known for his work ethic, Soderbergh has thus far released two feature films in the same year on three occasions.
• Steven Soderbergh is a fan of the rock band Guided by Voices and its frontman Robert Pollard. Soderbergh wrote the foreword to the book Guided By Voices: A Brief History, Twenty-one Years of Hunting Accidents in the Forests of Rock and Roll, written by James Greer. Pollard's song "Do Something Real" played over the Full Frontal credits and contributed six songs for his film Bubble.
• He often utilizes Cliff Martinez to construct/compose the soundtracks to his movies, and when not cutting his own films, he relies on editor Stephen Mirrione.
• Soderbergh is married to writer/journalist (and E! Entertainment Television anchor) Jules Asner. He often credits Asner for inspiring his female characters. [19]
• He has described himself as a "hardcore atheist." He was raised Catholic.

[edit] Filmography

[edit] Director

• Sex, lies, and videotape (1989) (also sound editor)
• Kafka (1991)
• King of the Hill (1993)
• Underneath (1995)
• Gray's Anatomy (1996)
• Schizopolis (1996) (also actor and composer)
• Out of Sight (1998)
• The Limey (1999)
• Erin Brockovich (2000)
• Traffic (2000)
• Ocean's Eleven (2001)
• Full Frontal (2002)
• Solaris (2002)
• Eros - the segment Equilibrium (2004)
• Ocean's Twelve (2004)
• Bubble (2005)
• Building No.7 (2006)
• The Good German (2006)
• Ocean's Thirteen (2007)
• Guerrilla (2008)
• The Argentine (2008)

[edit] Screenwriter

• sex, lies, and videotape (1989)
• King of the Hill (1993)
• Underneath (1995)
• Schizopolis (1996)
• Nightwatch (1997)
• Solaris (2002)
• Eros - the segment Equilibrium (2004)
• Bubble (2006)

[edit] Cinematographer

• Schizopolis (1996)
• Traffic (2000)
• Ocean's Eleven (2001)
• Full Frontal (2002)
• Solaris (2002)
• Ocean's Twelve (2004)
• Eros - the segment Equilibrium (2004)
• Bubble (2006)

[edit] Editor

• sex, lies, and videotape (1989)
• Kafka (1991)
• King of the Hill (1993)
• Full Frontal (2002)
• Solaris (2002)
• Eros - the segment Equilibrium (2004)
• Bubble (2006)

[edit] Producer

• Suture (1994)
• The Daytrippers (1996)
• Pleasantville (1998)
• Far from Heaven (2002)
• Confessions of a Dangerous Mind (2002)
• Welcome to Collinwood (2002)
• Naqoyqatsi (2002)
• Keane (2004)
• Criminal (2004)
• Syriana (2005)
• Good Night, and Good Luck (2005)
• The Jacket (2005)

[edit] Major Awards

• Palme d'Or (1989) (sex, lies, and videotape)
• Academy Award for Directing (2000) (Traffic)

Preceded by Sam Mendes for American Beauty

Academy Award for Best Director 2000 for Traffic

Succeeded by Ron Howard for A Beautiful Mind

[edit] External links

• Steven Soderbergh at the Internet Movie Database
• 'The Believer' interview
• NPR: Bubble (01/2006)
• Wired interview (12/2005)
• Guardian interview (02/2003)
• Village Voice: Soderbergh on Soderbergh (01/2001)
• Film Comment interview (01/2001)