Symposium
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Symposium originally referred to a drinking party (the Greek verb sympotein means "to drink together") but has since come to refer to any academic conference, whether or not drinking takes place. The sympotic elegies of Theognis of Megara and two Socratic dialogues, Plato's Symposium and Xenophon's Symposium all describe symposia in the original sense.
Fresco from the Tomb of the Diver. 475 BCE. Paestum Museum, Italy.
[edit] Symposium as a social activity in ancient Greece
The Greek symposia was a key Hellenic social institution. It was a forum for men to debate, plot, boast, or simply to party with others. They were frequently held to celebrate the introduction of youths into aristocratic society, much like debutante balls today. A youth would attend as the companion and beloved of an adult with whom he was involved in a pederastic relationship. Symposia were also held by aristocrats to celebrate other special occasions, such as victories in athletic and poetic contests.
Symposia were usually held in the men's quarters of the household. Singly or in pairs, the men would recline on couches arrayed against the walls of the room. Food, wine (usually mixed with water and served by nude young men from the Krater, the center jar), and entertainment was provided, and depending on the occasion could include games, songs, flute-girls, slaves performing various acts, and hired entertainments. A symposium would be overseen by a symposiarch who would decide how strong or diluted the wine for the evening would be, depending on whether serious discussions or merely sensual indulgence were in the offing. Certain formalities were observed, most important among which were the libations by means of which the gods were propitiated.
One of the more popular games at symposia was kottabos, in which drinkers swished the dregs of their wine in their kylixes (platter-like stemmed drinking vessels) and flung them at a target. Also popular at symposia were skolia, drinking songs of a patriotic or bawdy nature, which were also performed in a competitive manner with one symposiast reciting the first part of a song and another expected to finish it.
What are called flute-girls today were actually prostitutes or courtesans who played the aulos, a Greek woodwind instrument most similar to an oboe, hired to play for and consort with the symposiasts while they drank and conversed.
Symposiasts could also compete in rhetorical contests, for which reason the term symposium has come to refer to any event where multiple speeches are made.
[edit] External links
| Pottery of ancient Greece | ||
|---|---|---|
| Wine Shapes | Krater • Kylix • Oinochoe • Skyphos • Psykter • Kyathos • Rhyton • Kantharos | |
| Perfume Shapes and Wedding Shapes | Lebes Gamikos • Loutrophoros • Epinetron • Alabastron • Aryballos • Lekythos | |
| Funerary Shapes and Cultic Shapes | Lekythos • Loutrophoros • Phiale | |
| Storage Shapes | Amphora • Hydria • Lebes • Pithos • Stamnos • Pyxis | |
| Techniques | Red-figure • Black-figure • Bilingual pottery • Six's technique • White ground | |
| Painters | List of Greek Vase Painters• Amasis Painter • Exekias • Pioneer Group • Douris | |
| Special Topics in Greek Pottery | Typology • Kalos inscription • Symposium • Kerameikon • Corpus vasorum antiquorum • John Beazley • Panathenaic Amphorae | |
