The Knights
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| The Knights | |
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| Written by | Aristophanes |
| Chorus | knights |
| Characters | Demosthenes Nicias Agoracritus (Sausage Seller) Cleon Demos |
| Setting | Pnyx at Athens |
Aristophanes' play The Knights is an unbridled criticism of Cleon, one of the most powerful men in ancient Athens. Cleon had once brought Aristophanes up on charges of "embarrassing the city in front of foreigners" in response to one of his comedies being performed at the Dionysia festival at which foreigners were present. Aristophanes never forgave him, and wrote The Knights as a response to him.
The basic premise of the play is that there is a man named Demos (Greek for "The citizen-body") who is not very bright. His slaves, Nicias and Demosthenes (two of the most prominent Athenian generals in the Peloponnesian War), are displeased with the way Demos' steward, the Paphlogonian (aka Cleon) has been treating both Demos and the other slaves. They discover that the way to remove the Paphlogonian from power is for him to be replaced by a Sausage-Seller.
The two slaves find the Sausage-Seller, and explain their predicament to him. He is more than willing to help.
The play then degrades into the Sausage-Seller claiming he will do all the terrible things that the Paphlogonian did for Demos, and more. The two trade insults, and try to out-do one another in their absurdity and crudeness. In the end, Demos decides that he will take the Sausage-Seller as his new steward.
The Sausage-Seller turns out not to be a cruel tyrant, and had only said such things so that he would be chosen. He brings Demos a Truce (personified as a beautiful maiden). Paphlogonian's punishment is to take the Sausage-Seller's old job, "he must sell sausages of asses' and dogs' meat: perpetually drunk, he will exchange foul language with prostitutes and will drink nothing but the dirty water from the baths."
In addition to the criticism of Cleon, this play is notable for its unflattering view of the people as dumb, easily fooled, and fickle. The end, however, portrays an enlightening end, of Demos being returned to how he was in his youth, representing the concept of Athens returning to her golden age despite all the corruption and intrigue throughout Attica during the Peloponnesian War.
[edit] Translations
- John Hookham Frere, 1839 - verse
- Benjamin B. Rogers, 1924 - verse
- Arthur S. Way, 1934 - verse
- Eugene O'Neill, Jr. - prose: full text
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Surviving plays by Aristophanes
The Acharnians | The Knights | The Clouds | The Wasps | Peace | The Birds | Lysistrata | Thesmophoriazusae | The Frogs | Ecclesiazousae | Plutus
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[edit] Headline text
BLA SENS-brincat-85.232.210.52 18:12, 23 February 2007 (UTC)-zack-85.232.210.52 18:12, 23 February 2007 (UTC)
