Touch and Go Records

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Touch and Go Records

Founded	1981
Founder(s)	Tesco Vee Corey Rusk
Genre(s)	Various
Country of origin	United States
Location	Chicago
Official Website	http://www.tgrec.com

Touch and Go Records is an independent record label based in Chicago, Illinois, USA, which began life in 1979 in East Lansing, Michigan as a magazine put out by Tesco Vee and Dave Stimson. Vee was bored with the punk sounds of the day, and captivated by the emerging hardcore movement in America. Inspired, he put out records by the Necros, Fix, Meatmen, and Negative Approach. In 1981, Necros bassist Corey Rusk joined with Tesco to run the label. In 1983, Tesco handed Touch and Go over to Rusk when he left Michigan for Washington DC. Under Rusk's ownership, who relocated the label to Chicago, Touch & Go released material in the mid-'80's to early '90s by bands such as the Butthole Surfers, who no longer have their catalog on the label (see below), Big Black, the Jesus Lizard, and continued into the new millennium with artists on their roster including Shellac, Yeah Yeah Yeahs, TV on the Radio (the latter two are no longer on the label), Arcwelder, CocoRosie, Ted Leo and the Pharmacists, and the Black Heart Procession. Rusk continues to run the label.

They are well known, partly because of the influence of their catalogue, partly for their approach to recording contracts, pioneered (probably) by Factory Records. The deal was characterised by:

50/50 deals. 50% of profits to artists after label recoups promotion and production costs;
Oral contracts, a "handshake deal"

N.B. Currently they ask bands to sign a 1-2 page memo.

In 2006, Touch and Go celebrates its 25th anniversary. To commemorate this occasion, the label held a three-day block party event at Chicago's Hideout venue on September 8-10, 2006. Several seminal bands, including Big Black, Scratch Acid, the Didjits, Killdozer, Negative Approach, and Man...or Astro-Man? reunited and performed at the event.

1 Dispute with Butthole Surfers
2 Catalogue
3 External links
4 See also

[edit] Dispute with Butthole Surfers

Their approach to contracts was challenged in a court case, brought by the Butthole Surfers in 1999, who purported that Touch and Go was not marketing their catalog effectively. They argued that due to the silent nature of duration in T&G's contract, it could be terminated. Touch and Go argued that existing US copyright law held that they controlled the copyright to the band's recordings for a minimum of 35 years, due to sec. 203 of the Copyright Act of 1976 which they argued gave them 35 years of ownership of the copyright.

The US Court of Appeals Seventh Circuit ruled in favor of the band, determining that "when a contract is silent as to its length, it is implicit that it can be terminated by either side." And "that allowing terminations under Illinois law does not conflict with sec. 203, but rather is, in fact, in keeping with the intent of sec. 203."