James Levine
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| James Levine | ||
|---|---|---|
| Background information | ||
| Born | June 23, 1943 (age 63) Cincinnati, Ohio |
|
| Genre(s) | Classical | |
| Occupation(s) | Conductor, Pianist | |
| Instrument(s) | Piano | |
| Associated acts |
Metropolitan Opera (Music Director) | |
James Levine (born June 23, 1943 in Cincinnati, Ohio) is an American orchestral pianist and conductor and most well known as the music director of the Metropolitan Opera in New York. He is also the current music director of the Boston Symphony Orchestra.
Contents |
[edit] Biography
[edit] Early years
Levine was born into a musical family: his maternal grandfather was a cantor in a synagogue, his father was a violinist, who led a dance band, and his mother was an actress. He began to play the piano as a small child. At the age of 10, he made his concert debut as soloist in Mendelssohn's Piano Concerto No. 2 at a youth concert of the Cincinnati Symphony Orchestra.
Levine subsequently studied music with Walter Levin, first violinist in the La Salle Quartet. In 1956 he took piano lessons with Rudolf Serkin at the Marlboro (Vermont) School of Music. In 1957 he began piano studies with Rosina Lhévinne at the Aspen Music School. In 1961 he entered the Juilliard School of Music in New York City, and took courses in conducting with Jean Morel. In 1964 he graduated from the Juilliard School and joined the American Conductors project connected with the Baltimore Symphony Orchestra.
From 1964 to 1965, Levine served as an apprentice to George Szell with the Cleveland Orchestra and then served as assistant conductor until 1970. That year, he also made his debut appearance as guest conductor with the Philadelphia Orchestra at its summer home at Robin Hood Dell. In 1970, he made his debut with the Welsh National Opera and the San Francisco Opera. Levine had a long association with the Chicago Symphony Orchestra and served from 1973 to 1993 as music director of the Ravinia Festival. In 1990, at the request of Roy E. Disney, he arranged the music and conducted the Chicago Symphony Orchestra in the soundtrack of Fantasia 2000 released by Walt Disney Pictures. He also served as Music Director with the Cincinnati May Festival (1974-1978).
[edit] Metropolitan Opera career
Levine made his Metropolitan Opera debut in June 1971 in a festival performance of Tosca. His success led to further appearances and to his appointment as its principal conductor in 1973. He then became Music Director in 1976[1], and later Artistic Director (the first in its history) in 1986.
Under his leadership, the Metropolitan Opera orchestra and chorus became one of the finest operatic ensembles in the world, and Levine started a regular concert series for the orchestra (and chamber ensembles thereof) at Carnegie Hall. On his recent appointment as General manager of the Met, Peter Gelb emphasised that, even after 35 years as music director, something exceptional in the major opera houses of the world, James Levine would be welcome to remain as long as he wanted to direct music there. His present contract runs through the 2010/2011 season.
At the Met, Levine has led numerous new productions of works of Mozart, Verdi, Wagner, Strauss, Rossini, Schoenberg, Stravinsky, Kurt Weill, Claude Debussy, Alban Berg, and George Gershwin. For the 25th anniversary of his Met debut, Levine conducted the world premiere of John Harbison's The Great Gatsby, commissioned especially to mark the occasion.
Levine has led the Metropolitan Opera on many domestic and international tours. The company telecasts several productions around the world (in the US on PBS) each season and makes radio broadcasts on Saturday afternoons from December to April across North America.
[edit] Boston Symphony Orchestra
In October 2004, Levine took the helm of the Boston Symphony Orchestra (BSO), succeeding Seiji Ozawa as music director, and becoming the first American to head the BSO. He now splits his time between New York and Boston. Thus, for the first time in living memory, the same man was in charge of the country's leading opera house and a top orchestra. (In Europe, Herbert von Karajan had performed a similar feat in the 1950s as chief conductor of the Berlin Philharmonic and director of the Vienna Staatsoper.)
His Boston Symphony contract limits his guest appearances with American orchestras but Levine conducts regularly in Europe, with the Munich Philharmonic Orchestra, Vienna Philharmonic, Berlin Philharmonic, and at the Bayreuth Festival. Levine is also a regular guest with the Philharmonia Orchestra of London and the Dresden Staatskapelle. Since 1975, he has also conducted regularly at the Salzburg Festival and the annual July Verbier Festival, of which he is also music director.
One unique condition that Levine negotiated was increased flexibility of rehearsal time with the orchestra, to allow for more rehearsal time for more challenging works.[2] Since the start of his tenure, the orchestra has also established an "Artistic Initiative Fund" of about USD $40 million to fund the more expensive of Levine's projects.[3]
One criticism of Levine during his tenure in Boston is that he has not attended many orchestra auditions. A 2005 article reported that Levine had attended 2 out of 16 auditions during his tenure up to that time. Levine himself has responded that he has the ability to provide input on musician tenure decisions after the initial probationary period, and that it is difficult to know how well a given player will fit the given position until that person has had a chance to work with the orchestra: "My message is the audition isn't everything."[4]
Another 2005 report stated that during Levine's first season as music director, the greater workload from the demands of playing more unfamiliar and contemporary music has increased physical stress with some of the BSO musicians. Levine and the players met to discuss this, and he agreed to program changes to lessen these demands.[5]
Levine also performs regularly in chamber music ensembles and as an accompanist in Lieder recitals.
[edit] 2006 onstage fall
On 1 March 2006, Mr. Levine fell onstage during a standing ovation after a performance with the Boston Symphony Orchestra and tore the rotator cuff in his right shoulder. Later that month, he underwent surgery to repair the injury. He returned to the podium July 7, 2006, leading the Boston Symphony Orchestra at Tanglewood. [6]
[edit] References
- ^ Martin Kettle, "Staying power". The Guardian, 17 November 2000
- ^ Greg Sandow, "Right Man for the Job". Wall Street Journal, 5 November 2001.
- ^ Geoff Edgers, "The cost of excellence". Boston Globe, 25 September 2005.
- ^ Geoff Edgers, "6 minutes to shine." Boston Globe, 4 September 2005.
- ^ Geoff Edgers, "Levine's pace proves hard on BSO". Boston Globe, 17 March 2005.
- ^ Carol Beggy and Mark Shanahan, "A maestro on the mend". Boston Globe, 31 March 2006.
| Preceded by Rafael Kubelík |
Music Director, Metropolitan Opera 1976- |
Succeeded by incumbent |
| Preceded by Sergiu Celibidache |
Chief Conductor, Munich Philharmonic Orchestra 1999-2004 |
Succeeded by Christian Thielemann |
| Preceded by Seiji Ozawa |
Music Director, Boston Symphony Orchestra 2004– |
Succeeded by Incumbent |
