Rock 'n' Roll (John Lennon album)

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Professional reviews
Rock 'n' Roll

Studio album by John Lennon
Released	21 February 1975
Recorded	A&M Studios, October – December 1973; Record Plant Studios (East), 21 October–25 October 1974
Genre	Rock
Length	40:00
Label	Apple/EMI
Producer(s)	John Lennon and Phil Spector
All Music Guide link Pitchfork (7.0/10) 11/10/04 Robert Christgau (B-) link Rolling Stone (not rated) 5/22/75
John Lennon chronology
Walls and Bridges (1974)	Rock 'n' Roll (1975)	Shaved Fish (1975)

Rock 'n' Roll is a 1975 album of late 1950s and early 1960s-era rock songs covered by John Lennon. The recording of the album spanned a year and its dramatic sessions have since entered into rock music folklore. The title was a last-minute choice, coming from a neon sign crafted for the album cover.

1 History
2 Roots
3 Rock 'n' Roll
4 Rock 'n' Roll track listing
5 Roots track listing
6 Personnel
7 External links

[edit] History

While still encumbered with the US government's attempts to have him deported, Lennon found himself threatened with a lawsuit, by Roulette Records chief Morris Levy. Lennon had admitted in an interview that his song "Come Together" both borrowed stylistically from Chuck Berry's "You Can't Catch Me", published by Levy, and re-used one line ("Here come old flat-top") from the song. Levy sued Lennon for infringement, but agreed to drop the suit if Lennon recorded at least three songs that Levy published, on his next album (after Mind Games). Browsing Levy's music publishing catalog, Lennon found so many of his old favourites that he decided to do a full album of cover songs, by Levy's artists and others.

After splitting with Yoko Ono in the fall of 1973, and arriving in Los Angeles with May Pang, Lennon teamed up with Phil Spector to record the album, working at both A&M Records Studios and Gold Star Recording Studios. Due to the boys-club nature of the sessions, the atmosphere quickly fell into disarray with alcohol, with Lennon in particularly aggressive form. After they were banned from the A&M lot, Spector disappeared with the session tapes and would not be heard from for several months. (Spector made one cryptic call to Lennon, claiming to have the "John Dean tapes" from the recent Watergate scandal; Lennon deduced that Spector meant he had the album's master tapes. Lennon's return calls got him only stories that Spector had been in an accident, was in a coma, or had died. Lennon knew better, but could do nothing about the situation.)

In the meantime, having met up with singer-songwriter Harry Nilsson and former bandmate Ringo Starr in Los Angeles, Lennon put his own work on hold, produced Nilsson's album Pussy Cats, and contributed to Starr's album Goodnight Vienna, including its title song. As the months went by, Lennon began writing what became Walls and Bridges, and moved with May Pang back to New York during the summer of 1974.

Just prior to commencing the Walls and Bridges sessions in New York, Lennon received a package from Spector — the missing masters, rescued by Capitol Records then-president Al Coury at a cost of $90,000. Not wanting to break stride, Lennon shelved the tapes, completing his own album first, then returned to the year-old recordings. Finding his work with Spector less than spectacular (Lennon's alcohol consumption showed in his singing voice, while Spector's recording work was laden with technical problems such as leakage), Lennon recalled his band from Walls and Bridges, cutting nine new songs in just a few days, and touched up the vocals to some of the Spector tapes.

[edit] Roots

The cover of Roots, an unauthorised album that was released on Morris Levy's Adam VIII label.

With Walls and Bridges coming out first, Lennon made one nod on it toward his deal with Levy; a quickie version of Lee Dorsey's "Ya Ya", dashed off in the studio with son Julian Lennon playing drums. While the album gave Lennon his second US #1 album and first #1 single with "Whatever Gets You thru the Night", Morris Levy wasn't amused by the "Ya Ya" cover, and threatened to refile his lawsuit. Lennon explained to Levy what had happened, and that the covers album was indeed in the works, giving him a rough copy to review. Levy then offered to directly market the album via mail order, through his own Adam VIII record label, bypassing Capitol and EMI and giving both Lennon and Levy a larger share of the album's profits. Lennon gave his assent, considering appearing in a TV commercial to promote the album, but knew he would need the approval of EMI, Capitol and Apple Corps for the deal.

With so much money and time invested in Rock 'n' Roll, neither Capitol, EMI nor Apple wanted to give it up, insisting Lennon release it according to his recording contract, and turn Levy's proposal down. Feeling betrayed, Levy pressed an album titled Roots, from the rough-mix tape Lennon had provided, using a stock photo of Lennon for the cover and marketing the record otherwise as planned, and proceeded to sue Lennon, EMI and Capitol for $42 million, for breach of contract. Lennon finished work on his version of the album, leaving several songs out of the final selection, and choosing an old photo from his early twenties in Hamburg, Germany, for the cover. As 1975 began, Capitol Records prepared a rush-release, and Lennon reconciled with Yoko Ono.

[edit] Rock 'n' Roll

The companion songbook that was released in 1975.

Rock 'n' Roll became another hit for John Lennon, reaching #6 in both the UK and US, where it soon went gold. "Stand by Me" also proved a US Top 20 hit that spring. A companion songbook was issued, with original sheet music versions for all the tunes, bios of the songwriters, and Lennon's own notes and recollections. Unfortunately, the delay in completing the album took much of the novelty away; several other artists had by this time done their own oldies projects, cutting into potential sales for Lennon.

Not long after the album appeared, Ono discovered she was pregnant. Determined not to lose another baby after three consecutive miscarriages, Lennon decided to halt his musical career for his family. Sean Lennon would be born that October (on his father's 35th birthday); following the release of Shaved Fish (a best-ofs album), Lennon would not return with a new release until 1980.

Going to court, Lennon, EMI and Capitol prevailed, with Levy having to accept a token payment for the infringement on "You Can't Catch Me", then having to pay a judgment of his own, including $42,000 to Lennon for "damages to his reputation", as termed by the court. Distribution of Roots was halted, with Lennon disappointed at how poorly the mail order setup had actually worked, having ordered his own copy as followup and waiting almost a month to receive it.

In 2004, Yoko Ono supervised the remixing of Rock 'n' Roll for its reissue, including four bonus tracks from the ill-fated late-1973 Spector sessions. Other leftovers from the sessions had already appeared, as part of Menlove Avenue (a 1986 collection of Lennon outtakes and demos) or the John Lennon Anthology box set.

[edit] Rock 'n' Roll track listing

All tracks produced by John Lennon, except where noted.

"Be-Bop-A-Lula" (Tex Davis/Gene Vincent) – 2:39
- Beginning at the beginning, Lennon opened with a song he'd played the only time his mother Julia got to see him perform.
"Stand by Me" (Jerry Leiber/Mike Stoller/Ben E. King) – 3:26
- The single's B-side, "Move Over Ms. L", was a non-album song written by Lennon.
"Medley: Rip It Up/Ready Teddy" (Blackwell/John Marascalco) – 1:33
- Two songs famously recorded by Little Richard, who had toured with the Beatles.
"You Can't Catch Me" (Chuck Berry) – 4:51
- Produced by Phil Spector
"Ain't That a Shame" (Fats Domino/Dave Bartholomew) – 2:38
- Lennon met Fats Domino during a Las Vegas visit late in 1973; both were reportedly starstruck by one another.
"Do You Wanna Dance?" (Bobby Freeman) – 3:15
- A reggae-flavoured remake.
"Sweet Little Sixteen" (Chuck Berry) – 3:01
- Produced by Phil Spector
"Slippin' and Slidin'" (Eddie Bocage/Albert Collins/Richard Wayne Penniman/James H. Smith) – 2:16
- Planned as the second single from the album (with "Ain't That A Shame" as the B-side), but cancelled before its release.
"Peggy Sue" (Jerry Allison/Norman Petty/Buddy Holly) – 2:06
- Lennon, Paul McCartney and George Harrison were Buddy Holly fans; McCartney purchased Holly's song copyrights in the late 1970s.
"Medley: Bring It On Home to Me/Send Me Some Lovin'" (Sam Cooke)/(John Marascalco/Lloyd Price) – 3:41
"Bony Moronie" (Larry Williams) – 3:47
- Produced by Phil Spector
"Ya Ya" (Lee Dorsey/Clarence Lewis/Morgan Robinson) – 2:17
- A brief version appeared on Walls and Bridges, featuring eleven-year-old Julian Lennon on drums.
"Just Because" (Lloyd Price) – 4:25
- Produced by Phil Spector
- Lennon speaks before the fadeout, saying "I'm just gonna have to let it go," and adding "Good night from the Record Plant East, New York... Goodbye." He said in a later interview that he was consciously bidding farewell to the music business. (His later song "Watching The Wheels" includes the line "I just had to let it go.")

[edit] Roots track listing

Side One:

Be-Bop-A -Lula (Tex Davis/Gene Vincent) – 2:39
Ain't That A Shame (Fats Domino/Dave Bartholomew) – 2:34
- Contains a longer fadeout than the Rock 'n' Roll version
Stand By Me (Jerry Leiber/Mike Stoller/Ben E. King) – 3:26
- Without the strings added to the official release
Sweet Little Sixteen (Chuck Berry) – 3:01
Rip It Up (Blackwell/John Marascalco) – 1:33
Angel Baby – 3:42
- Not officially released until the 1986 compilation Menlove Ave.
Do You Want To Dance (Bobby Freeman) – 3:02
You Can't Catch Me (Chuck Berry) – 4:03
- The Rock 'n' Roll version was stretched to – 4:51 by repeating the first verse

Side Two:

Bony Moronie (Larry Williams) – 3:47
Peggy Sue (Allison/Petty/Buddy Holly) – 2:06
Bring It On Home To Me (Sam Cooke)/(John Marascalco/Lloyd Price) – 3:41
Slippin' & Slidin' (Eddie Bocage/Albert Collins/Richard Wayne Penniman/James H. Smith) – 2:20
- Contains a longer fadeout than the Rock 'n' Roll version
Be My Baby – 4:34
- Not officially released until the 1998 John Lennon Anthology
Ya Ya (Lee Dorsey/Clarence Lewis/Morgan Robinson) – 2:17
Just Because (Lloyd Price) – 4:25