Alexandre Cabanel
From Wikipedia, the free encyclopedia
| Alexandre Cabanel | |
 Self Portrait (1852) |
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| Born | 28 September 1823 Montpellier, France |
| Died | 23 January 1889 |
| Nationality | French |
| Field | Painting |
| Training | François-Édouard Picot |
| Movement | Academicism |
| Famous works | Birth of Venus |
| Awards | Prix de Rome |
Alexandre Cabanel (28 September 1823–23 January 1889) was a French painter.
Cabanel was born in Montpellier, Hérault. He painted historical, classical and religious subjects in the academic style. He was also well-known as a portrait painter. According to Diccionario Enciclopedico Salvat, Cabanel is the best representative of the L'art pompier and Napoleon II preferred painter[1].
He entered the Ecole des Beaux-Arts in Paris at the age of seventeen. Cabanel studied with François-Édouard Picot and exhibited at the Paris Salon for the first time in 1844, and won the Prix de Rome scholarship in 1845 at the age of twenty two. Cabanel was elected a member of the Institute in 1863 and appointed professor at the École des Beaux-Arts in the same year.
Cabanel won the Grande Médaille d'Honneur at the Salons of 1865, 1867, and 1878.
He was closely connected to the Paris Salon: "He was elected regularly to the Salon jury and his pupils could be counted by the hundred at the Salons. Through them, Cabanel did more than any other artist of his generation to form the character of belle époque French painting" [2]. His refusal together with William-Adolphe Bouguereau to let the impresionists in the Salon lead to the establishement of the Salon des Refusés.
A great academic painter, his Birth of Venus is one of the most known 19th century paintings. The picture
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[edit] Pupils
His pupils include:
- Jean-Joseph Benjamin-Constant
- Albert Besnard
- Vlaho Bukovac
- Charles Bulteau
- Gaston Bussière
- Louis Capdevielle
- Eugène Carrière
- Fernand Cormon
- Pierre Auguste Cot
- Édouard Debat-Ponsan
- Émile Friant
- François Guiguet
- Jules Bastien Lepage
- François Flameng
- Charles Fouqueray
- Henri Gervex
- Charles Lucien Léandre
- Henri Le Sidaner
- Aristide Maillol
- Édouard-Antoine Marsal
- Henri Regnault
- Louis Royer
- Jean-Jacques Scherrer
- Joseph-Noël Sylvestre
- Paul Tavernier
- François Thévenot
- Étienne Terrus
- Adolphe Willette
[edit] List of selected works
- The Death of Moses (1851) Dahesh Museum, New York City. New York, USA
- Nymph and Satyr (Nymphe et Satyr, 1860) - Private collection
- The Birth of Venus (1863)- Musée d'Orsay, Paris.
- The Death of Francesca da Rimini and Paolo Malatesta (1870) - Musée d'Orsay, Paris.
- La Comtesse de Keller (1873) -, Musée d'Orsay, Paris.
- Phèdre (1880) - Musée Fabre, Montpellier
- Ophelia (1883) - Private collection
- Lady Curzon (1887) -Kedleston Hall, England, [3]
- Cleopatra Testing Poisons on Condemned Prisoners (1887) - Private collection
- Eve After the Fall - Private Collection
- The Expulsion of Adam and Eve from the Garden of Paradise - Private Collection
[edit] Gallery
 The death of Francesca da Rimini and Paolo Malatesta (1870) |
 Harmonie (1877) |
 The daughter of Jephtha (1879) |
 Phaedra (1880) |
 Ophelia (1883) |
 Albaydé (1884) |
 Cleopatra Testing Poisons on Condemned Prisoners (1887) |
 Echo (1887) |
[edit] References
- ^ Diccionario Enciclopedico Salvat, 1982, Barcelona
- ^ Dictionary of Art (1996) vol. 5, pp. 341-344)
- ^ Mary Leiter (1887), Derbyshire, England, Kedleston Hall; National Trust for Places of Historic Interest, U. K.[1]
