Frantz Fanon

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Frantz Fanon (July 20, 1925 – December 6, 1961) was a Martinique-born French author and essayist. He was perhaps the preeminent thinker of the 20th century on the issue of decolonization and the psychopathology of colonization. His works have inspired anti-colonial liberation movements for more than four decades.^[1]

Contents 1 Life 1.1 Martinique and WWII 1.2 France 1.3 Algeria 1.4 Death 2 Work 3 Influence 4 References in the arts 4.1 Music 4.2 Contemporary Art 4.3 Cinema 5 Bibliography 5.1 Fanon's writings 5.2 Secondary literature 6 References

[edit] Life

[edit] Martinique and WWII

Fanon was born on the Caribbean island of Martinique, then a French colony and now a French département. He was born into a mixed family background: his father was the descendent of African slaves, and his mother was said to be an illegitimate child of mixed race, whose white ancestors came from Strasbourg in Alsace. The family were relatively well-off for Martinicans, but far from middle class. They could, however, afford the fees for the Lycee Schoelcher, then the most prestigious high school in Martinique, where famed poet Aimé Césaire was Frantz Fanon's teacher.

After France fell to the Nazis in 1940, Vichy French naval troops were blockaded on Martinique. Forced to remain on the island, French soldiers became "authentic racists". Many accusations of harassment and sexual misconduct arose. The abuse of the Martinican people by the French Army was a major influence on Fanon, as it reinforced his feelings of alienation and his disgust at the realities of colonial racism. At the age of eighteen, Fanon fled the island as a "dissident" (the coined word for French West Indians joining the gaullist forces) and traveled to then British Dominica to join the Free French Forces. He later enlisted in the French army and saw service in France, notably in the battles of Alsace. In 1944 he was wounded at Colmar and received the Croix de Guerre medal. When the Nazis were defeated and Allied forces crossed the Rhine into Germany -- along with photo journalists -- Fanon's regiment was "bleached" of all non-white soldiers and Fanon and his fellow black soldiers were sent to Toulon instead.

In 1945, Fanon returned to Martinique. His return lasted only a short time. While there, he worked for the parliamentary campaign of his friend and mentor Aimé Césaire, who would be the greatest influence in his life. Although Fanon never professed to be a communist, Césaire ran on the communist ticket as a parliamentary delegate from Martinique to the first National Assembly of the Fourth Republic. Fanon stayed long enough to complete his Baccalaureate and then went to France where he studied medicine and psychiatry. He was educated in Lyon where he studied literature, drama and philosophy, sometimes attending Merleau-Ponty's lectures. After qualifying as a psychiatrist in 1951, Fanon did a residency in psychiatry under the radical Catalan, Francois de Tosquelles, who invigorated Fanon's thinking by emphasizing the important yet often overlooked role of culture in psychopathology. After his residency, Fanon practiced psychiatry in France for another year and then (from 1953) in Algeria. He was chef de service at the Blida-Joinville Psychiatric Hospital in Algeria, where he stayed until his resignation in 1956. In retrospect one might wonder why Fanon spent over 10 years in the service of France, but his servitude to France's army (and his experiences in Martinique) fueled Black Skin, White Masks. For Fanon, being colonized by a language had larger implications for one's consciousness: "To speak . . . means above all to assume a culture, to support the weight of a civilization" (BSWM 17-18). Speaking French means that one accepts, or is coerced into accepting, the collective consciousness of the French.

[edit] France

While in France, Fanon wrote his first book, Black Skin, White Masks, an analysis of the effect of colonial subjugation on the human psyche. This book was a personal account of Fanon’s experience of being a black man, an intellectual with a French education rejected in France by the French because of his skin color.

[edit] Algeria

Fanon left France for Algeria, where he had been stationed for some time during the war. He secured an appointment as a psychiatrist at Blida-Joinville Psychiatric Hospital. It was there that he radicalized methods of treatment. In particular, he began socio-therapy which connected with his patients' cultural backgrounds. He also trained nurses and interns. Following the outbreak of the Algerian revolution in November 1954 he joined the FLN liberation front (Front de Libération Nationale) as a result of contacts with Dr Chaulet.

In The Wretched of the Earth, Fanon later discussed in depth the effects on Algerians of torture by the French forces. His book was then censored.

Fanon made extensive trips across Algeria, mainly in the Kabyle region, to study the cultural/psychological life of Algerians. His lost study of "The marabout of Si Slimane" is an example. These trips were also a means for clandestine activities, notably in his visits to the ski resort of Chrea which hid an FLN base. By summer 1956 he wrote his famous "Letter of resignation to the Resident Minister" and made a clean break with his French assimilationist upbringing and education. He was expelled from Algeria in January 1957 and the "nest of fellaghas [rebels]" at Blida hospital was dismantled. Fanon left for France and subsequently traveled secretly to Tunis. He was part of the editorial collective of El Moudjahid for which he wrote to the end of his life. He also served as Ambassador to Ghana for the Provisional Algerian Government (GPRA) and attended conferences in Accra, Conakry, Addis Ababa, Leopoldville, Cairo and Tripoli. Many of his shorter writings from this period were collected posthumously in the book Toward the African Revolution. In this book Fanon even outs himself as a war strategist; in one chapter he discusses how to open a southern front to the war and how to run the supply lines.

[edit] Death

On his return to Tunis, after his exhausting trip across the Sahara to open a Third Front, Fanon was diagnosed with leukemia. He went to the Soviet Union for treatment and experienced some remission of his illness. On his return to Tunis he dictated his testament The Wretched of the Earth. When he was not confined to his bed, he delivered lectures to ALN (Armée de Libération Nationale) officers at Ghardimao on the Algero-Tunisian border. He made a final visit to Sartre in Rome and went for further leukemia treatment in the USA. Ironically, he was assisted by the CIA in traveling to the United States to receive treatment. He died in Bethesda [Maryland, US], on December 6, 1961 under the name of Ibrahim Fanon. He was buried in Algeria, after lying in state in Tunisia. Later his body was moved to a martyrs (chouhada) graveyard at Ain Kerma in eastern Algeria. Fanon was survived by his wife, Josie (maiden name: Dublé, who committed suicide in Algiers in 1989), their son, Olivier and his daughter (from a previous relationship) Mireille. Mireille married Bernard Mendès-France, son of the French politician Pierre Mendès-France.

[edit] Work

Although Fanon wrote Black Skin, White Masks while still in France, most of his work was written while in North Africa. It was during this time that he produced his greatest works, Year 5 of the Algerian Revolution (later republished as A Dying Colonialism) and perhaps the most important work on decolonization yet written, The Wretched of the Earth^[2]. The Wretched of the Earth was first published in 1961 by François Maspero and has a preface by Jean-Paul Sartre.^[3] In it Fanon analyzes the role of class, race, national culture and violence in the struggle for national liberation. Both books established Fanon in the eyes of much of the Third World as the leading anti-colonial thinker of the 20th century. Fanon's three books were supplemented by numerous psychiatry articles as well as radical critiques of French colonialism in journals like, Esprit and El Moudjahid.

The reception of his work has been affected by English translations which are recognized to contain numerous omissions and errors, while his unpublished work, including his doctoral thesis, has received little attention. As a result, Fanon has often been portrayed as an advocate of violence. In the original French, it is clear this is not the case. Furthermore, his work is interdisciplinary, spanning psychiatric concerns to encompass politics, sociology, anthropology, linguistics and literature.^{[citation needed]}

His participation in the Algerian FLN (Front de Libération Nationale) from 1955 determined his audience as the Algerian colonized. It was to them that his final work, Les damnés de la terre (translated into English by Constance Farrington as The Wretched of the Earth) was directed. It constitutes a warning to the oppressed of the dangers they face in the whirlwind of decolonization and the transition to a neo-colonialist/globalized world.

[edit] Influence

Fanon has had an inspiring impact on anti-colonial and liberation movements. In particular, Les damnés de la terre was a major influence on the work of revolutionary leaders such as Ali Shariati in Iran, Steve Biko in South Africa and Ernesto Che Guevara in Cuba. Of these only Guevara was primarily concerned with Fanon's theories on violence; for Shariati and Biko the main interest in Fanon was "the new man" and "black consciousness" respectively ^[4]. Fanon's influence extended to the liberation movements of the Palestinians, the Tamils, the Irish, African Americans and others. More recently, the South African movement Abahlali baseMjondolo is influenced by Fanon's work.

[edit] References in the arts

Fanon has become a hero to many people on the young, both as a theorist of Negritude and as an advocate of resistance and revolution, especially with relation to violence in revolution. Often, his mention is more as a symbol that the artist is familiar with the works of classic writers in the struggle against colonialism.

[edit] Music

Rage Against the Machine references Fanon, "grip tha cannon like Fanon and pass tha shell to my classmate" in a track entitled "Year of tha Boomerang" on their 1996 release Evil Empire. The Wretched of the Earth appears on the inside of the album cover. This use of Fanon in the context of an advocate of violent inserection can be compared to the use by Rage Against the Machine lead singer, Zack de la Rocha, a track recorded with artists Last Emperor and KRS-One called "C.I.A. (Criminals In Action)." The lyric is: "I bring the sun at red dawn upon the thoughts of Frantz Fanon, So stand at attention devil dirge, You'll never survive choosing sides against the Wretched of the Earth." Here, Zack uses Fanon's name to invoke a sense of power, through being more than a mere anti-authoritarian resistor, but as one who is well educated and is descendant of a great resistor of the past.

A similar case of Fanon's name being used to give to artist's revolutionary cause a sense of timeless authority is by Digable Planets. Digable Planets refer to Fanon in their rap-jazz cut "Little Renee" from the Coneheads motion picture soundtrack.

• The Dialectics reference Fanon in a track titled "Lost artists" on their 2006 EP release "Styles of Resistance." The lyric is: "About face, a small place in this reckless abandon, a new canon written out of the ashes of Franz Fanon."

• Earthling reference Fanon on their 1995 single Nefisa. The lyric is: "Frantz fanon, yeah yeah i get it. All that curiosity with something to offset it."

• Hip-Hop artist [Paris http://www.guerrillafunk.com/] refers to Fanon on the title track of the 1990 album "The Devil Made Me Do It". The lyric is: "Follow in the path of Mao and Fanon just Build your brain and we’ll soon make progress"

• Third Sight references Fanon in a track entitled "Will I Get Shot by a Dope Fiend?" on their 2006 release Symbionese Liberation Album.

[edit] Contemporary Art

Jimmie Durham, an American Indian conceptual artist, references Fanon's post-colonial thought in a piece entitled "Often Durham Employs..." (1998), with this quote from Fanon- "The zone where the natives live is not complementary to the zone inhabited by the settlers."

[edit] Cinema

On the other hand, British film maker Isaac Julien made a 1995 film mixing interviews of Fanon's relatives and friends with fictionalized incidents of his life.

[edit] Bibliography

[edit] Fanon's writings

• Black Skin, White Masks, transl. Charles Lam Markmann (1967: New York, Grove Press)
• A Dying Colonialism
• Toward the African Revolution
• The Wretched of the Earth, transl. Constance Farrington (1963: New York, Grove Weidenfeld)
• Toward the African Revolution, transl. Haakon Chavalier (1969: New York, Grove Press)
• "Reciprocal Bases of National Culture and the Fight for Freedom" A Speech by Frantz Fanon included in The Wretched of the Earth

[edit] Secondary literature

• Patrick Ehlen, Frantz Fanon: A Spiritual Biography (2001: New York, NY, Crossroad 8th Avenue) ISBN 0-8245-2354-7
• Isaac Julien, "Frantz Fanon: Black Skin White Mask" (a documentary) (1996: San Francisco, California Newsreel)
• Laura Chrisman & Patrick Williams Colonial Discourse and Post-Colonial Theory: A Reader (1994: New York, Columbia University Press)
• Nigel C. Gibson [ed.], Rethinking Fanon: The Continuing Dialougue (1999: Amherst, New York, Humanity Books)
• Nigel C. Gibson, Fanon: The Postcolonial Imagination (2003: Oxford, Polity Press)
• Lewis R. Gordon, Fanon and the Crisis of European Man: An Essay on Philosophy and the Human Sciences (1995: New York, Routlegde)
• Lewis R. Gordon, T. Denean Sharpley-Whiting, & Renee T. White [edd] Fanon: A Critical Reader (1996: Oxford, Blackwell)
• Hussein M. Adam “Fanon as a Democratic Theorist” in Nigel C. Gibson [ed.] Rethinking Fanon: The Continuing Dialougue (1999: Amherst, New York, Humanity Books)
• Samuel Oluoch Imbo An Introduction to African Philosophy (1998: Oxford, Rowman & Littlefield) ISBN 0-8476-8840-2
• Macey, David Frantz Fanon: A Biography (2000: New York, NY, Picador Press) ISBN 0-312-27550-1
• Ato Sekyi-otu Fanon's Dialectic of Experience (1996: Cambridge, MA, Harvard University Press)
• Tsenay Serequeberhan The Hermeneutics of African Philosophy (1994: London, Routledge) ISBN 0-415-90802-7
• Christian Filostrat Interviews Frantz Fanon's Wife Josie, November 16, 1978, Howard University’s African-American Center.
• Olúfémi Táíwò “Fanon” in Robert L. Arrington [ed.] A Companion to the Philosophers (2001: Oxford, Blackwell) ISBN 0-631-22967-1
• Alice Cherki, "Frantz Fanon. Portrait" (2000: Paris, Seuil)
• Giovanni Pirelli, "Frantz Fanon: Opere scelte" (1976: Milan, erre emme)
• See also: Frantz Fanon: Black Skin, White Mask (1996), a documentary

[edit] References