Knight (chess)
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| Chess pieces | ||
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King |  |
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Queen |  |
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Rook |  |
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Bishop |  |
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Knight |  |
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- This article uses algebraic notation to describe chess moves.
The knight (colloquially, horse) is a piece in the game of chess, representing a knight (armoured cavalry). It is often represented by a horse's head.
Each player starts with two knights, which start on the rank closest to the player. Expressed in algebraic notation, the white knights start on b1 and g1, while the black knights start on b8 and g8.
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[edit] Movement
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| Location of the knights at the start of the game. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The knight move is unusual among chess pieces. When it moves, it can move two squares horizontally and one square vertically, or two squares vertically and one square horizontally. The complete move therefore looks like the letter 'L'. Unlike all other standard chess pieces, the knight can 'jump over' all other pawns and pieces to its destination square. It captures an enemy piece by moving into its square.
The move is one of the longest surviving moves in chess, having remained unchanged since before the seventh century AD. Because of this it also appears in most chess-related national games. The knight moves alternately to white and black squares.
Another way to think of the Knight move is that its motion is the union of the following:
(i) it hops across squares, unoccupied or otherwise, once of a Bishop, followed by once of a Rook, outwards, neither stopping nor capturing, on its in-between trek, only abiding to the rules that it tries neither to capture pieces of its own colour at its destination point, and that its superior, his Majesty, is not under exposure, where captures occur by attacking the opposing armada, save the King, of course, grabbing the ill-coloured piece that rests on the destination square of the Knight,
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(ii) it hops across squares, unoccupied or otherwise, once of a Rook, followed by once of a Bishop, outwards, neither stopping nor capturing, on its in-between trek, only abiding to the rules that it tries neither to capture pieces of its own colour at its destination point, and that its superior, his Majesty, is not under exposure, where captures occur by attacking the opposing armada, save the King, of course, grabbing the ill-coloured piece that rests on the destination square of the Knight.
Of course, on an 8x8 checkered board, this is one of the few pieces to have not had its motion modified much (and therefore has the most usual movement:
(i) Pawn - having gained the double-step potential out of the gates, the passage rule of en passant (and its predecessor, passar bataglia) soon came about, and on the the gain of their mobility, an unpromoted pawn eventually gained the potential of promotion (originally, rescue of a captured piece, and later, a choice of any titled soldier wearing similar colours worn, save, of course, the King),
(ii) Bishop - which had previously had the motion of the aufin: see Chess
(iii) Rook - hops during castling, after the King commences his doubleton step approach, to fill in the gap,
(iv) Queen - having gained much previous mobility from its pre-decessor, the vizier,
(v) King - used to have had a double-step as well, and still in use in its modern form of castling)
during the history of the game. See Chess piece
However, it is interesting to define similar motions of the Knight, and its compatriots, on the uncheckered board types, as being dependent on the mere current motions of the Rook & Bishop, and the concept of "outwards".
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| This knight may move to any of eight different squares. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Pieces are generally more powerful if placed near the center of the board, but this is particularly true for a knight. A knight on the edge of the board attacks only four squares and a knight in the corner only two. Moreover, it takes more moves for a decentralized knight to switch operation to the opposite side of the board than a decentralized bishop, rook, or queen. The mnemonic phrases "A knight on the rim is grim" or "A knight on the rim is dim" are often used in chess instruction and reflect these features.
The knight is the only piece that can move at the beginning of the game before any pawn move has been made. Because of the above reasons, in most situations the best square for the initial move of each knight is one towards the center. Knights are usually brought into play slightly sooner than the bishops and much sooner than the rooks and the queen.
The knight is the only piece that can be in position to attack a king, queen, bishop, or rook without being reciprocally attacked by that piece. The knight is thus especially well-suited for executing a fork.
In the diagram above, the numbers represent how many moves it takes for a knight to 'jump' to each square on the chess board from its original location. Observing and even memorizing the patterns (diagonally 2-4-2-4-2-4, horizontally and vertically 3-2-3-2-3-2) helps making quick decisions in chess such as knowing where to move your other pieces not to be in the direct 'fire' of the knight or even maneuvering the knight itself better.
[edit] Value
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| A powerful knight occupying a hole (d5) in the enemy pawn structure. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
A knight is approximately equal in strength and value to a bishop. The latter's range is larger, but it is restricted to only half the squares of the board. Since the knight is capable of jumping over obstructing pieces, it is considered to be more valuable when the board is more crowded ('closed' positions). A knight is best when it has a 'support point' — a square that acts as relatively sheltered place for it to stop at and exert its strength remotely. [1] On the fourth rank a knight is comparable in power to a bishop, and on the fifth rank it can be as valuable as a rook.[citation needed] (See chess piece point value.)
Enemy pawns are very effective at harassing knights because a pawn attacking a knight is not itself attacked by the knight. For this reason, a knight is most effective when placed in a weakness in the opponent's pawn structure, i.e. a square which can't be attacked by enemy pawns. In the diagram at right, White's knight on d5 is very powerful — more powerful than Black's bishop on g7.
In endgames with pawns on both sides of the board, a knight is often not as good as a bishop as its range is limited. With pawns in only one side of the board, knights have the advantage of being able to attack pawns standing at either color. In either case, a disadvantage of the knight is that by itself it cannot lose a move (see triangulation), while a bishop can.
Whereas two bishops cover each other's weaknesses, two knights in general do not cooperate efficiently. However, a queen and a knight is often a better combination than a queen and a bishop. Also, in an endgame without other pieces, two knights have a better chance against a queen than two bishops or a bishop and a knight against the queen (see fortress (chess)).
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| Two trapped knights trapped by two enemy bishops | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
At the end of the game, if one side has only a king and a knight while the other side is down to nothing but its king, the game is a draw since a checkmate is impossible. When a bare king faces a king and two knights, checkmate can occur only if the opponent commits a blunder by moving his king to a square where it may be checkmated on the next move. Otherwise, a checkmate can never be forced. However checkmate can be forced with a bishop and knight, or with two bishops, even though the bishop and knight are conceptually held to be of equal value. Paradoxically, checkmate with two knights sometimes can be forced if black has a single extra pawn, but this is essentially a curiosity of little practical value (see Two knights endgame). Pawnless endings are a rarity, and if the winning side has even a single pawn, an extra knight should give him an easy win. A bishop can trap (although it cannot then capture) a knight on the rim (diagram), especially in the endgame.
[edit] Notation
In algebraic notation, the usual modern way of recording chess games, the letter N stands for the knight (K is reserved for the king); in descriptive chess notation, Kt is sometimes used instead, mainly in older literature. In chess problems and endgame studies, the letter S, standing for the German name for the piece, Springer, is often used, N instead being used for the popular fairy chess piece, the nightrider.
