Close Encounters of the Third Kind

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Close Encounters of the Third Kind

Directed by	Steven Spielberg
Produced by	Julia Phillips Michael Phillips Clark L. Paylow
Written by	Steven Spielberg
Starring	Richard Dreyfuss François Truffaut
Music by	John Williams
Cinematography	Vilmos Zsigmond
Editing by	Michael Kahn
Distributed by	Columbia Pictures
Release date(s)	16 November 1977
Running time	Various, including: Original 70MM Version 135 min Special Edition 132 min Collector's Edition 137 min
Country	USA / UK
Language	English / French / Spanish / Hindi
Budget	$20,000,000
Gross revenue	Domestic $116,395,460 Foreign $171,700,000 Worldwide $303,788,635
All Movie Guide profile
IMDb profile

This article is about the film; for the a definition of the UFO related phenomenon, see Close encounter.

Close Encounters of the Third Kind (1977) is a science fiction movie about UFOs, written and directed by Steven Spielberg. It stars Richard Dreyfuss, François Truffaut, Bob Balaban, Melinda Dillon, Teri Garr, and Cary Guffey. The movie has visual effects by Douglas Trumbull and a score composed by John Williams. It received eight Academy Award nominations. Director of Photography Vilmos Zsigmond won the Oscar for Best Cinematography and sound effects editor Frank E. Warner was granted a Special Achievement Award.^[1] and in 1998, The American Film Institute placed the film on its list of the 100 greatest American films.

Close Encounters is a landmark Science Fiction film, particularly notable for its portrayal of extra-terrestrials as benign, even kind, which was a sharp departure from the "evil monster" style of most earlier films. It popularized a number of motifs, most of which were drawn from a wide variety of public reports of UFO encounters: alien abduction, small and thin aliens ("greys"), and UFOs covered in lights rather than the disc shapes popular in the 1950s and 1960s. The moral contradiction between the aliens' benevolence and the forced abductions they conduct is left unexplored.

The movie has been revised numerous times, notably for a 132-minute "Special Edition" reissue in 1980 and again for a 137-minute "Collector's Edition" in 1988 (see List of films recut by studio for details on these alternate versions). The Special Edition features several new character development scenes, the discovery of a lost ship, the Cotopaxi, in the Gobi Desert, and a view of the inside of the mothership. The interior of the mothership is deleted from the "Collector's Edition" (Spielberg added this scene as a concession to be allowed to make the Special Edition. He decided it was a mistake and removed it in the later edition).

The enigmatic title refers to the three "kinds" of "close encounters" with aliens, as categorized by the noted UFO investigator, Dr. J. Allen Hynek who defined Close Encounters of the First Kind as "Sighting," the Second Kind as "Evidence," and the Third Kind as "Contact."

1 Plot Overview
2 Cast
3 Trivia
4 Behind the scenes
5 Mistakes
6 References and parodies
7 See also
8 External links

[edit] Plot Overview

The movie plot has three basic threads:

A group of scientific researchers including Lacombe (Truffaut) and Laughlin (Balaban) investigate UFO reports worldwide, and discover a lost squadron of World War II aircraft (see Flight 19) in a Mexican desert.
During a motorized pursuit of several UFOs that was probably modelled on the Portage County UFO Chase, Indiana electrical lineman Roy Neary (Dreyfuss) experiences a close encounter of the second kind (a sighting that leaves physical evidence) and thereafter becomes obsessed with UFOs, to the great dismay of his family. He begins making models of a distinctive mountain or hill - a place he has never actually seen, and with which he is unfamiliar. At one point, he and his wife (Garr) attend a meeting featuring both patronizing and skeptical government officials, and an archetypal crackpot ("I saw Bigfoot once!")
Jillian Guiler (Dillon) witnesses a UFO landing, in which her son Barry (Guffey) is abducted by aliens who appear to invade her home. Soon after, Guiler also becomes obsessed with the mental picture of a unique-looking mountain.

After Neary's increasingly bizarre conduct causes his family to abandon him, he sees the feature he has been modelling on a television news show: the Devil's Tower in Wyoming. Guiler also sees the same news broadcast, and both Neary and Guiler - as well as others with similar experiences - obsessively head toward the site. Elsewhere in the world, the pace of alien activity is increasing; Lacombe (a character based on Jacques Vallee) and Laughlin investigate a host of weird occurrences along with other United Nations experts.

After Laughlin recognizes a signal from space as a simple set of geographical coordinates pointing to Devil's Tower, all parties begin to converge on Wyoming. The United States Army evacuates the area after spreading false reports that a train wreck has spilled highly dangerous nerve gas, all the while preparing a landing zone for the first human contact with an alien civilization. While the other humans drawn to the site through their visions fail, Neary and Guiler persist and make it to the site as dozens of spacecraft appear. The alien mothership lands, and returns people who'd been abducted over the years, including Guiler's son. With an understanding of peace between the two civilizations, the aliens take Neary on board their ship as an ambassador from Earth, and take off for the stars.

[edit] Cast

Richard Dreyfuss as Roy Neary
François Truffaut as Claude Lacombe
Teri Garr as Ronnie Neary
Melinda Dillon as Gillian Guiler
Bob Balaban as David Laughlin
Lance Henriksen as Robert
J. Patrick McNamara as Project Leader
Warren J. Kemmerling as Wild Bill
Merrill Connally as Team Leader
Phil Dodds as ARP Musician

[edit] Trivia

This article contains a trivia section.
Content in this section should be integrated into other appropriate areas of the article or removed, and the trivia section removed.

The motif woven through the film (the five tones that the space ship plays back and forth with the humans) is re - mi - do - do (octave lower) - so(l). These tones all lie on a major pentatonic scale.
During an interview years later, Richard Dreyfuss was asked whether there would ever be a sequel to Close Encounters. He responded that, "The sequel to Close Encounters was E.T. the Extra-Terrestrial."
Following this movie, young Cary Guffey got to play the part of an alien himself - in the Italian movies Uno Sceriffo extraterrestre - poco extra e molto terrestre (English title: The Sheriff and the Satellite Kid, 1979) and its sequel Chissà perché... capitano tutte a me (Everything Happens To Me, 1980); both alongside the Italian actor Bud Spencer.

[edit] Behind the scenes

The shooting/working title for the film was Watch the Skies, which is the last line of the classic 1950's science fiction film, The Thing from Another World.
Bob Balaban wrote a book about his experience shooting the movie called Spielberg, Truffaut & Me: Close Encounters of the Third Kind - An Actor's Diary. The book was first published in 1978, and a 25th anniversary edition featuring more photos and an extra chapter was published in 2002.
When the original director of Jaws 2 was fired, Spielberg considered taking over. However, his contractual obligations to Close Encounters of the Third Kind meant that production on the sequel would have been delayed by an expensive year.
Steve McQueen, Gene Hackman, Jack Nicholson and James Caan were all considered for the main role (McQueen was a recluse at the time, Hackman passed for unknown reasons, Nicholson was deemed too old and Caan's price tag was too high).
Roy Neary lives in Muncie, Indiana and there were plans to actually film in Muncie, Indiana, but those plans were changed and no filming took place in Muncie. Still, there were multiple references mostly noticeable to Muncie, Indiana natives, such as the reference to an actual road in the Muncie, Indiana area (Cornbread Road) as well as a scene at the breakfast table where Neary wears a local college shirt (Ball State University) while other props on the breakfast table such as a newspaper from the now defunct Muncie Evening Press, as well as a milk carton from a now defunct Muncie based drive up convenience store (Miller's Milkhouse).
The synthesizer used to communicate with the aliens at the end of the film is an ARP 2500 modular system. Phil Dodds, a tech from ARP Instruments Inc., is the man playing the keyboard.
The chaplain who blesses the astronaut volunteers during the climax is real-life Reverend Michael J. Dyer, who is credited as playing himself in the film.
At the climactic scene, François Truffaut and the alien use Kodály Hand Signs to express this motif. The alien smiles after doing so; Spielberg was slightly surprised and pleased that the prop could muster the facial gesture.
Astronomer J. Allen Hynek, a UFO researcher who coined the term "close encounter," was a consultant for the film, and makes a cameo appearance as a scientist smoking a pipe near the end of the picture. UFO researcher Dr. Jacques Vallée served as a model for the character of the French scientist Lacombe played by François Truffaut. Vallée met Hynek while studying for his Ph.D. at Northwestern University.
Melinda Dillon takes some photos of Dreyfuss' departure with the aliens using a Rollei 35 B compact camera.
Spielberg initially wanted the mothership to be very dark, but seeing a large oil refinery at night while filming in India gave him the idea to have it lots of spindly towers covered in lights.[1]. A model of the mothership used during filming is on display at the National Air and Space Museum's Steven F. Udvar-Hazy Center in Northern Virginia; the model includes a number of hidden objects integrated in and around the ship's antennas, domes and other structures. Examples include a 1930s automobile, a cemetery, a VW Bus and a small model of R2-D2. The model of R2-D2 can be seen upside-down on the mothership at 1:54 into the Collector's Edition DVD, as it rises behind Melinda Dillon.
Most of the Devil's Tower landing site scenes were filmed in a Mobile, Alabama aircraft hangar. The small aliens in the final scenes were played by local children.[2]

[edit] Mistakes

To those familiar with (Muncie, Indiana), there is some geographic license taken in the famous scene in which Richard Dreyfuss' character Roy Neary is on his way to investigate the blackout. He is on Cornbread Road near Muncie, Indiana and he stops on a railroad crossing, and becomes enveloped in light from the UFO. Cornbread Road exists, however the railroad crossing does not. Cornbread Road runs mostly parallel to the CSX Transportation line that comes close, but never crosses.
Purported Indiana State Police cruisers (which carry a colour scheme never used by the ISP for its vehicles) are shown chasing the UFO's down a toll road, possibly presumed to be the Indiana Toll Road. Due to the power blackout brought about by the spaceships, the tollbooths are darkened and the toll collector is nearly asleep. When the spaceships and the pursuing police cars go through, the tollgates light up and the toll collector yells, "That's Ohio! That's a quarter!" If this is supposed to be the Indiana Toll Road, the geography is quite incorrect, as the actual Indiana Toll Road is in the far north of the state, parallelling the Michigan state line, running from Chicago to Ohio. Muncie is located in east-central Indiana, over a hundred miles south of the actual Toll Road.
The coordinates for Devils Tower in Wyoming as given in the movie are incorrect. Devils Tower National Monument is located at 44°35′26″N, 104°42′56″W, while the coordinates in the film, 40°36′10″N, 104°44′30″W, point to a small farm outside of Ault, Colorado, a discrepancy of almost 300 miles.
When the aircraft from Flight 19 are found in the Mexican desert, one of the UN officials climbs into a cockpit and discovers a calendar from 1945 advertising the Trade Winds Bar, Florida. However the numerals on the calendar are in helvetica font, which was not created until 1957.
When the police and Neary are chasing the UFO's, repeated references over the police radio are made to a city called "Tolono." There is no Tolono in Indiana.

[edit] References and parodies

The film was spoofed in a short titled Closet Cases of the Nerd Kind on the original 1980's videotape Hardware Wars and other Film Farces. In this short, the mother ship was a huge pie accompanied by marching music.
On the episode "Who Wants It More?" of That '70s Show, Kelso (Ashton Kutcher) tells of seeing a UFO. Hyde (Danny Masterson) later mocks Kelso by sculpting the Devil's Tower out of mashed potatoes and saying "This means something".
The movie is also spoofed in two episodes of The Simpsons. In the episode "The Springfield Files", Homer sculpts his mashed potatoes into a shape similar to the Devils Tower after he encounters what he believes to be an alien. Also in "The Springfield Files", while the citizens of Springfield are gathered in the field awaiting the 'alien's' appearance, the school music instructor, Mr. Largo and 5 of his students play the famous 5 note tune on marching band instruments. In another episode called "Homie the Clown", Homer forms a large mashed potato circus tent after becoming obsessed with a billboard advertising a local clown college.
In the film UHF, George Newman ("Weird Al" Yankovic) sculpts his mashed potatoes into the Devil's Tower and says, "This means something, this is important."
The mashed potato sculpture is once more spoofed in the film Muppets From Space, where a fan of Gonzo presents Kermit the frog with a mashed potato sculpture of Gonzo's head.
Close Encounters was parodied in an eighth-season episode of the British comedy The Goodies entitled "U-Friend or UFO?". Steven Spielberg was a fan of The Goodies and in 1979 he considered making a film with the British trio.
In the movie Bruce Almighty, there is a deleted scene, which may be viewed on the DVD, of Jim's character, Bruce, parodies being crazy and sculpting what looks like the Devil's Tower out of cookie dough, saying "This means someting, this is important!"
In the film Canadian Bacon, Rhea Perlman's character, swept up by a faux Cold War with Canada, builds a replica of the CN Tower in Toronto out of mashed potatoes.
The five-note musical motif of the film has been referenced many times. It was used as a code entered on a pushbutton keypad in Moonraker of the James Bond series, and the first five notes on Mr. Herriman's keypad security system in the Foster's Home For Imaginary Friends episode: 'The Big Cheese, and in the Power Glove sequence of The Wizard. The five notes were also rearranged for the theme to Jurassic Park, also composed by John Williams. In one episode of the short-lived animated series The Oblongs, the tones are used for the doorbell of an alien masquerading as a teenage girl. Rock guitarist Steve Vai referenced it in his song "Little Green Men" from his 1984 solo album, "Flex-Able." John Petrucci plays it before beginning the song Trial of Tears on the Dream Theater album Once in a LIVEtime. Jerry Garcia also quotes it in a solo from the Grateful Dead's January 22, 1978 concert at the University of Oregon. The tone is also played at the beginning of Alien Hominid. Enigma also borrowed the motif for the song "Back to the Rivers of Belief". Daft Punk opened their 2006 U.S. performance, their first in 8 years, at Coachella Valley Music and Arts Festival with the theme music from the movie, performing in an LED pyramid.