Robert Fripp

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Robert Fripp
Born	May 16, 1946 (age 60) Wimborne Minster, Dorset, England
Genre(s)	Progressive rock, Psychedelic rock, Jazz rock, Ambient
Affiliation(s)	King Crimson League of Gentlemen G3 (2004 tour) The League of Crafty Guitarists Toyah Willcox
Years active	1968 - present
Official site	Official website

Robert Fripp (born May 16, 1946 in Wimborne Minster, Dorset, England) is a guitarist, record producer and a composer, perhaps best known for being the guitarist for, and only constant member of King Crimson. His work, spanning four decades, encompasses a variety of musical styles. He is married to Toyah Willcox. They currently live in Worcestershire, UK.^{[citation needed]}

[edit] Biography

[edit] Early career

Fripp's earliest professional work began in 1967, when he responded to an ad looking for a singing organist for a band being formed by bassist Peter Giles and drummer Michael Giles. Though unsuccessful as a live act, Giles, Giles and Fripp did manage to release two singles, as well as an album, The Cheerful Insanity of Giles, Giles and Fripp.

[edit] Early King Crimson

A page from Melody Maker announcing Mike Giles and Ian McDonald leaving the group. Robert Fripp is below left in the main picture; a single-column image of him appears underneath.

Following the band's breakup, Fripp, along with drummer Michael Giles, made plans for the formation of King Crimson in 1968, with Greg Lake, Peter Sinfield and Ian McDonald. Their first album, In the Court of the Crimson King, was released in late 1969, to mixed critical reviews. Due to musical differences with Giles and McDonald, King Crimson broke up shortly after the release of the first album, to be re-formed again several times over the years. Initially, Fripp had offered to leave the group; however Giles and McDonald felt that King Crimson was his. To date, Robert Fripp has remained the only consistent member of the band. Crimson went through a number of line-ups before Fripp disbanded the group in 1974.

[edit] Side projects

During King Crimson's less active periods, Fripp pursued a number of side-projects. He worked with Keith Tippett (and others who appeared on King Crimson records) on projects far from rock music, producing Septober Energy in 1971 and Ovary Lodge in 1973. During this period he also worked with Van der Graaf Generator, playing on the 1970 album H to He, Who Am the Only One, and in 1971, on Pawn Hearts. Collaborating with Brian Eno, he recorded No Pussyfooting in 1972 and Evening Star in 1974. These two albums featured experimentation with several novel musical techniques, including a tape delay system utilizing dual reel to reel Revox tape machines that would come to play a central role in Fripp's later work. This system came to be known as "Frippertronics". Fripp and Eno also played several live shows in Europe in 1975.

Fripp spent some time away from the music industry in the later 1970s, during which he cultivated an interest in the teachings of Gurdjieff via J.G. Bennett (studies which would later be influential in his work with Guitar Craft). He returned to musical work as a studio guitarist on Peter Gabriel's first self-titled album in 1976, released the following year. Fripp toured with Gabriel to support the album, but remained in the wings and was introduced to audiences as "Dusty Rhodes".^{[citation needed]}

In 1977, Fripp received a phone call from Eno, who was working on David Bowie's album "Heroes". Fripp agreed to play guitar for the album, a move which initiated a series of collaborations with other musicians. Fripp soon contributed his musical and production talents to Peter Gabriel's second album, and collaborated with Daryl Hall on Sacred Songs. During this period, Fripp began working on solo material, with contributions from several other musicians, including Eno, Gabriel, and Hall, as well as Peter Hammill, Jerry Marotta, Phil Collins, Tony Levin and Terre Roche. This material eventually became his first solo album, Exposure, released in 1979, followed by the Frippertronics tour in the same year. While living in New York, Fripp contributed to albums and live performances by Blondie and Talking Heads, and produced The Roches' first album, which featured several of Fripp's characteristic guitar solos.

Fripp's collaboration with bassist Buster Jones, drummer Paul Duskin, and vocals by David Byrne (Byrne credited as Absalm el Habib) produced God Save the Queen/Under Heavy Manners in the following year. He simultaneously assembled what he called a "second-division touring new wave instrumental dance band" under the name League of Gentlemen, with bassist Sara Lee, keyboardist Barry Andrews and drummer Johnny Toobad (later replaced by Kevin Wilkinson) . The LOG toured for the duration of 1980.

[edit] King Crimson again

1981 saw the formation of King Crimson's fourth incarnation, along with Adrian Belew, Bill Bruford, and Tony Levin. The group was conceptualized under the name "Discipline," but it came to Fripp's attention that the members thought the name King Crimson was more appropriate. For Fripp, King Crimson had always been a way of doing things, rather than a particular group of musicians, and the group felt that their music captured that methodology. After releasing three albums, this new King Crimson broke up in 1984; The League of Gentlemen split soon afterward.

During this period Fripp made two records with his old friend Andy Summers of the Police. On I Advance Masked, Fripp and Summers played all the instruments. Bewitched was more dominated by Summers, who produced the record and collaborated with other musicians in addition to Fripp.

In 1982 Fripp produced and played guitar on the Keep On Doing album by The Roches. Similar to his previous guesting on David Bowie's Scary Monsters (1980, which also boasted Pete Townshend in several background roles), the "skysaw" guitar style which characterized this period of Fripp's pedagogy is featured alongside the sisters' songs and harmony.

[edit] Guitar Craft

Fripp was offered a teaching position at the American Society for Continuous Education (ASCE) in Claymont Court, West Virginia in 1984. He had been involved with the ASCE since 1978, eventually serving on its board of directors, and had long been considering the idea of teaching guitar. His course, Guitar Craft, was begun in 1985, one of the results of which was a performance group, "The League of Crafty Guitarists," which has released several albums. In 1986, he released the first of two collaborations with his wife, Toyah Willcox. The members of the California Guitar Trio are former members of The League of Crafty Guitarists, and Gitbox Rebellion includes several former Guitar Craft students. The California Guitar Trio has also toured with King Crimson.

[edit] Soundscapes

Fripp returned to recording solo in 1994, using an updated version of the Frippertronics technique that employed digital technology instead of tapes to create loops. Fripp released a number of records that he called "Soundscapes," including 1999, Radiophonics, A Blessing of Tears, That Which Passes, November Suite, and The Gates of Paradise. (Pie Jesu consists of material compiled from A Blessing of Tears and The Gates of Paradise.) On the Soundscapes recordings, the inner workings of the music are not as clearly laid bare as they are on Let the Power Fall, perhaps due to the greater possibilities offered by the new technology.

[edit] Sylvian / Fripp

Fripp's collaborations with David Sylvian feature some of his most exuberant guitar playing. Fripp contributed to Sylvian's twenty minute track, 'Steel Cathedrals', from his Alchemy - An Index Of Possibilities album of 1985. Then Fripp performed on several tracks from Sylvian's 1986 release, Gone To Earth. At some point in late 1991, Fripp had asked Sylvian to become the vocalist for the reforming King Crimson. Sylvian declined the invitation, but proposed a possible collaboration between the two that would eventually become a tour of Japan and Italy in the spring of 1992. In July of 1993, Sylvian and Fripp released the collaborative effort The First Day. Other contributors were soon-to-be King Crimson member Trey Gunn on stick and nearly-was King Crimson member Jerry Marotta on drums. When the group toured to promote the CD, future King Crimson member Pat Mastelotto took over the drumming spot. The live document Damage was released in 1994, as was the joint venture, Redemption - Approaching Silence, which featured Sylvian's ambient sound sculptures (Approaching Silence) accompanying Fripp reading his own text (Redemption).

[edit] King Crimson redux

In late 1994, Fripp re-formed the 1981 lineup of King Crimson, adding Trey Gunn and drummer Pat Mastelotto in a configuration known as the "double trio". This lineup released Thrak in 1995.

From 1997 to 1999, and again in 2006, the band King Crimson "fraKctalised" into five sub-groups known as ProjeKcts.

2000 saw the release of a studio album, The ConstruKction of Light, from yet another setup of King Crimson (Fripp, Adrian Belew, Trey Gunn, Pat Mastelotto) with The Power to Believe following in 2003. Since then, the lineup has changed again, with Tony Levin returning to replace Trey Gunn.

[edit] Recent work

During 2004, Fripp toured with Joe Satriani and Steve Vai as the guitar trio G3.

Robert Fripp worked at Microsoft's studios to record new sounds and atmospheres for Windows Vista^{[1] [2]}.

In October 2006, ProjeKct Six (Robert Fripp, Adrian Belew) played at select venues on the east coast of the U.S.[1], opening for Porcupine Tree.

Fripp has contributed soundscapes to two songs for Porcupine Tree's Fear of a Blank Planet. He is featured on the tracks "Way Out Of Here" and "Nil Recurring"

[edit] Guitar technique

Fripp began playing guitar at the age of eleven ([2]). He says he was tone-deaf with no sense of rhythm when he started ([3], [4], [5], [6]). His comment on dealing with the obstacle is "Music so wishes to be heard that it sometimes calls on unlikely characters to give it voice".

Being taught guitar basics by his teacher Don Strike, it was the time when he developed the technique of cross-picking ([7]), which would later become a significant technique taught in Guitar Craft.

In 1984, Fripp began using the New Standard Tuning, which would also become the official tuning of Guitar Craft.

[edit] Discography

Album cover for Exposure.

• 1968 The Cheerful Insanity of Giles, Giles, and Fripp
• 1973 No Pussyfooting (with Brian Eno)
• 1975 Evening Star (with Brian Eno)
• 1979 Exposure
• 1981 God Save the Queen/Under Heavy Manners
• 1981 The League of Gentlemen (with the League of Gentlemen)
• 1981 Let the Power Fall: An Album of Frippertronics
• 1982 I Advance Masked (with Andy Summers)
• 1984 Bewitched (with Andy Summers)
• 1985 Network
• 1985 God Save the King (with the League of Gentlemen)
• 1986 The League of Crafty Guitarists Live!
• 1986 The Lady or the Tiger (with Toyah Willcox)
• 1990 Show Of Hands' (with «The League Of Crafty Guitarists»)
• 1993 The First Day (with David Sylvian)
• 1993 Darshan (with David Sylvian)
• 1994 The Bridge Between (with the California Guitar Trio)
• 1994 1999 Soundscapes: Live in Argentina
• 1994 Damage: Live (with David Sylvian)
• 1994 Redemption-Approaching Silence (with David Sylvian)
• 1994 FFWD (with The Orb)
• 1995 Intergalactic Boogie Express: Live in Europe...
• 1995 A Blessing of Tears: 1995 Soundscapes, Vol. 2 (live)
• 1995 Radiophonics: 1995 Soundscapes, Vol. 1 (live)
• 1996 That Which Passes: 1995 Soundscapes, Vol. 3'' (live)
• 1996 Thrang Thrang Gozinbulx (with the League of Gentlemen)
• 1997 November Suite: 1996 Soundscapes - Live at Green Park Station
• 1997 Pie Jesu
• 1998 The Gates of Paradise
• 1998 Lightness: for the Marble Palace
• 1999 The Repercussions of Angelic Behavior (with Bill Rieflin and Trey Gunn)
• 2004 The Equatorial Stars (with Brian Eno)
• 2005 Love Cannot Bear (Soundscapes - Live In The USA)

[edit] References

• Robert Fripp: From King Crimson to Guitar Craft, Eric Tamm, Faber and Faber, 1990 (online version of book)
• In the Court of King Crimson, Sid Smith, Helter Skelter Publishing, 2001 (official website)

1. ^ Robert Fripp - Behind the scenes at Windows Vista recording session. Channel 9. Microsoft (January 12, 2006). Retrieved on April 29, 2006.
2. ^ Making Windows Vista Sing: Robert Fripp and the Vista Melody. Channel 9. Microsoft (March 2, 2007).

[edit] External links

• Robert Fripp's Diary
• Discipline Global Mobile - An independent record label founded by Fripp.
• Elephant Talk - Free weekly digest-format newsletter, founded in 1991 by Toby Howard, for discussion of the music of Robert Fripp and King Crimson and related artists. The Elephant Talk website carries archives of the Newsletter and much other Fripp/Crimson information.
• California Guitar Trio - Exceptional students of Robert Fripp who play original, classical, and cover tunes with three guitars.
• Robert Fripp: From Crimson King to Crafty Guitarist - An overview of Fripp's musical career by Eric Tamm.