Scarecrow (Oz)
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The Scarecrow is a character in the fictional Land of Oz created by American author L. Frank Baum and illustrator William Wallace Denslow. In his first appearance, the Scarecrow reveals that he lacks a brain and desires above all else to have one.
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[edit] In The Wonderful Wizard of Oz
In Baum's classic 1900 novel The Wonderful Wizard of Oz, the living scarecrow encounters Dorothy Gale in a field in the Munchkin Country while she is on her way to the Emerald City. The "mindless" Scarecrow joins Dorothy in the hope that The Wizard will give him a brain. They are later joined by the Tin Woodman and the Cowardly Lion. After Dorothy and her friends have completed their mission to kill the Wicked Witch of the West, the Wizard gives the Scarecrow brains (made out of bran, pins and needles – in reality a placebo, as he has been the most intelligent of the travellers all along). Before he leaves Oz in a balloon, the Wizard appoints the Scarecrow to rule Oz in his stead.
His desire for brains notably constrasts with the Tin Woodman's desire for a heart, reflecting a common debate between the relative importance of the mind and the emotions. This, indeed, occasions philosophical debate between the two friends as to why their own choices are superior; neither convinces the other, and Dorothy, listening, is unable to decide which one is right. Symbolically, because they remain with Dorothy throughout her quest, she is provided with both and need not select.[1]
[edit] Scholarly interpretations
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Economics and history professors have published scholarly studies that indicate the images and characters used by Baum and Denslow closely resembled political images that were well known in the 1890s. The Scarecrow, like other characters and elements in The Wonderful Wizard of Oz, was a common theme found in editorial cartoons of the previous decade. Baum and Denslow, like most writers, used the materials at hand that they knew best. They built a story around them, added Dorothy, and added a series of lessons to the effect that everyone possesses the resources they need (such as brains, a heart and courage) if only they had self confidence. Although it was a children’s book, of course, Baum noted in the preface that it was a "modernized" fairy tale as well.
Those who interpret The Wonderful Wizard of Oz as a political allegory often see the Scarecrow, a central figure, as a reflection of the popular image of the American farmer—although he has been persuaded that he is only a dumb hick, he possesses a strong common sense, remarkable insight and quick-wittedness that needs only to be reinforced by self confidence.
[edit] Later Oz Books
The Scarecrow also appears in other Oz books, sharing further adventures with Dorothy and her friends. His reign as king of the Emerald City ends in The Marvelous Land of Oz when he is ousted in a coup by General Jinjur and her Army of Revolt. He manages to escape the palace and joins Tip and his companions in seeking the aid of Glinda the Good. In The Emerald City of Oz, the Scarecrow lives in a house shaped like an ear of corn in Winkie Country. In The Scarecrow of Oz, the Scarecrow travels to Jinxland, where he helps Cap'n Bill, Trot and Button-Bright overthrow the villainous King Krewl. He is also the Emperor of the Silver Islands.
[edit] The 1939 movie
In the 1939 movie The Wizard of Oz, the Scarecrow was played by Ray Bolger in what is arguably Bolger's most famous role. Bolger was a talented dancer, so The Scarecrow was given an extended dance sequence in the movie. However, to shorten the movie, much of this sequence was edited out. Other actors who have played the Scarecrow in movies over the years include Mickey Rooney and Michael Jackson.
[edit] Modern works
The Scarecrow is also a minor character in author Gregory Maguire's revisionist novel Wicked: The Life and Times of the Wicked Witch of the West and is made a more prominent character in its Broadway musical adaptation Wicked. In the musical, the Scarecrow is revealed to be the remnants of Fiyero after he was captured by the Wizard's officials, but made impervious to injury by Elphaba's incomplete spell. The Fiyero-Scarecrow executes a plan to save Elphaba through using the rumor that water will melt her; thus she stays alive and the two move into the Bad Lands. This has no basis in the book other than that in the final scenes Elphaba hopes that the Scarecrow is really her beloved Fiyero in disguise, which is proven to be a false hope when he is attacked and she sees that he is nothing but straw. The Scarecrow is featured more prominently in Son of a Witch, Maguire's sequel to Wicked. In that novel, the Scarecrow helps the Witch's (possible) son Liir avoid political turmoil in the Emerald City after the Wizard's departure. Later, various powerful interests place a different Scarecrow on the throne of Oz to serve as a puppet ruler; the suggestion is that most residents of Oz are unable to distinguish one Scarecrow from another.
In Todd McFarlane's action figure line "The Twisted Land of Oz", the scarecrow figure is a human skin stuffed with straw being attacked by zombie crows. In the accompanying story, this is punishment for a past life, where he operated on the brains of "patients" with a rusty scythe.
In The Muppets' Wizard of Oz, Kermit the Frog plays the role of the Scarecrow.
[edit] References
- ^ L. Frank Baum, Michael Patrick Hearn, The Annotated Wizard of Oz, p 141, ISBN 0-517-500868
- Culver, Stuart. "What Manikins Want: The Wonderful Wizard of Oz and The Art of Decorating Dry Goods Windows and Interiors", Representations, 21 (1988) 97-116.
- Dighe, Ranjit S. ed. The Historian's Wizard of Oz: Reading L. Frank Baum's Classic as a Political and Monetary Allegory (2002)
- Green, David L. and Dick Martin. (1977) The Oz Scrapbook. Random House.
- Hearn, Michael Patrick (ed). (2000, 1973) The Annotated Wizard of Oz. W. W. Norton & Co. ISBN 0-393-04992-2
- Riley, Michael O. (1997) Oz and Beyond: The Fantasy World of L. Frank Baum. University of Kansas Press ISBN 0-7006-0832-X
- Ritter, Gretchen. "Silver slippers and a golden cap: L. Frank Baum's The Wonderful Wizard of Oz and historical memory in American politics." Journal of American Studies (August 1997) vol. 31, no. 2, 171-203.
- Rockoff, Hugh. "The 'Wizard of Oz' as a Monetary Allegory," Journal of Political Economy 98 (1990): 739-60 online at JSTOR
- Sunshine, Linda. All Things Oz (2003)
- Swartz, Mark Evan. Oz Before the Rainbow: L. Frank Baum's "The Wonderful Wizard of Oz" on Stage and Screen to 1939 (2000).
- Velde, Francois R. "Following the Yellow Brick Road: How the United States Adopted the Gold Standard" Economic Perspectives. Volume: 26. Issue: 2. 2002. also online here
- Ziaukas, Tim. "100 Years of Oz: Baum's 'Wizard of Oz' as Gilded Age Public Relations" in Public Relations Quarterly, Fall 1998
| Preceded by The Wizard of Oz |
Ruler of the Emerald City | Succeeded by Jinjur |
| Preceded by Unknown |
Silver Islands | Succeeded by Unknown |
