Shirley Jackson

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Shirley Jackson (December 14, 1916 ^[1]– August 8, 1965) was an influential American author. Although a popular writer in her time, her work has received increasing attention from literary critics in recent years. She has influenced such writers as Stephen King, Nigel Kneale and Richard Matheson.

She is perhaps best known for her short story "The Lottery" (1948), which suggests there is a deeply unsettling underside to bucolic, smalltown America. In her critical biography of Shirley Jackson, Lenemaja Friedman notes that when Shirley Jackson's story "The Lottery" was published in the June 28, 1948 issue of The New Yorker, it received a response that "no New Yorker story had ever received." Hundreds of letters poured in that were characterized by, as Jackson put it, "bewilderment, speculation and old-fashioned abuse." ^[2]

In the July 22, 1948 issue of the San Francisco Chronicle Jackson offered the following in response to persistent queries from her readers about her intentions:

Explaining just what I had hoped the story to say is very difficult. I suppose, I hoped, by setting a particularly brutal ancient rite in the present and in my own village to shock the story's readers with a graphic dramatization of the pointless violence and general inhumanity in their own lives.

Jackson's husband, Stanley Edgar Hyman, has written in his introduction to a posthumous anthology of her short stories that "she consistently refused to be interviewed, to explain or promote her work in any fashion, or to take public stands and be the pundit of the Sunday supplements." Jackson did not say in the Chronicle that it was impossible for her to explain approximately what her story was about, only that it was "difficult." That she thought it meant something, and something subversive, moreover, she revealed in her response to the Union of South Africa's banning of "The Lottery": "She felt," Hyman says, "that they at least understood."

Contents 1 Works 2 Early life 3 Magazines 4 Literary studies 5 Listen to 6 Awards 7 Novels 8 Short fiction 9 Notes 10 References 11 External links

[edit] Works

Her novels include The Bird's Nest (1954), The Sundial (1958) and The Haunting of Hill House (1959), a contemporary updating of the classic ghost story with a vivid and powerful opening paragraph:

No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.

Adapted to films twice (1963 and 1999), The Haunting of Hill House is regarded by many (including King) as one of the important horror novels of the 20th Century. "The Lottery" has been filmed three times, in addition to radio, TV and theater adaptations, and her stories and novels have been the source for several other films, including Come Along with Me (1982), directed by Joanne Woodward, and Hugo Haas' Lizzie (1957), based on The Bird's Nest.

Her 1962 novel, We Have Always Lived in the Castle, was adapted for the stage by Hugh Wheeler in the mid-1960s. Directed by Garson Kanin and starring Shirley Knight, it opened on Broadway October 19, 1966. The David Merrick production closed after only nine performances at the Ethel Barrymore Theatre, but Wheeler's play continues to be staged by regional theater companies.

[edit] Early life

Born in San Francisco, she graduated with a BA from Syracuse University in 1940. While a student there, she met future husband Stanley Edgar Hyman, who was to become a noted literary critic. For Stanley J. Kunitz and Howard Harcraft's Twentieth Century Authors (1954), she wrote:

I very much dislike writing about myself or my work, and when pressed for autobiographical material can only give a bare chronological outline which contains, naturally, no pertinent facts. I was born in San Francisco in 1919 and spent most of my early life in California. I was married in 1940 to Stanley Edgar Hyman, critic and numismatist, and we live in Vermont, in a quiet rural community with fine scenery and comfortably far away from city life. Our major exports are books and children, both of which we produce in abundance. The children are Laurence, Joanne, Sarah and Barry: my books include three novels, The Road Through The Wall, Hangsaman, The Bird's Nest and a collection of short stories, The Lottery. Life Among the Savages is a disrespectful memoir of my children.

Although Jackson claimed to have been born in 1919 in order to appear younger than her husband, biographer Judy Oppenheimer determined that she was actually born in 1916. In addition to her adult literary novels, Jackson also wrote a children's novel, Nine Magic Wishes, available in an edition illustrated by her grandson, Miles Hyman. In a series of short stories, later collected in the books Life Among the Savages and Raising Demons, she presented a fictionalized version of her marriage and the experience of bringing up four children. These stories pioneered the "true-to-life funny-housewife stories" of the type later popularized by such writers as Jean Kerr and Erma Bombeck during the 1950s and 1960s.

Jackson, who was very interested in witchcraft, believed she had supernatural powers. This belief, among other things, contributed to Jackson's sense of aloneness isolation from others.

In 1965, Shirley Jackson died of heart failure in her sleep at the age of 48. After her death, her husband released a posthumous volume of her work, Come Along With Me, containing several chapters of her unfinished last novel as well as several rare short stories (among them "Louisa, Please Come Home") and three speeches given by Jackson in her writing seminars.

[edit] Magazines

In 1938, while she was studying at Syracuse, her first published story, "Janice," appeared, and the stories that followed were published in Collier's, Good Housekeeping, Harper's, Mademoiselle, The New Republic, The New Yorker, Woman's Day, Woman's Home Companion and other magazines.

In 1996, a crate of unpublished stories was found in the barn behind Jackson's house. The best of those stories, along with previously uncollected stories from various magazines, were published in the 1996 collection, Just an Ordinary Day. The title was taken from one of her stories for The Magazine of Fantasy and Science Fiction, "One Ordinary Day, with Peanuts." A large number of Ms. Jackson's papers are available in the Library of Congress.

[edit] Literary studies

Judy Oppenheimer covers Shirley Jackson's life and career in Private Demons: The Life of Shirley Jackson (Putnam, 1988). S. T. Joshi's The Modern Weird Tale (2001) offers a critical essay on Jackson's work. Darryl Hattenhauer provides a comprehensive survey of all of Jackson's fiction in Shirley Jackson's American Gothic (State University of New York Press, 2003). Bernice Murphy's recent "Shirley Jackson: Essays on the Literary Legacy" (McFarland, 2005) is a collection commentaries on Jackson's work.

[edit] Listen to

• 1988 interview with Judy Oppenheimer by Don Swaim

[edit] Awards

• 1960 National Book Award nomination: The Haunting of Hill House
• 1962 One of Time's "Ten Best Novels" of 1962
• 1966 Mystery Writers of America Edgar Award for Best Short Story: "The Possibility of Evil" (Saturday Evening Post, December 18, 1965)

[edit] Novels

• The Road Through the Wall (1948)
• Hangsaman (1951)
• The Bird's Nest (1954)
• The Sundial (1958)
• The Haunting of Hill House (1959)
• We Have Always Lived in the Castle (1962)

[edit] Short fiction

• "About Two Nice People"
• "After You, My Dear Alphonse"
• "Afternoon in Linen"
• "Charles"
• "Colloquy"
• "Come Dance with Me in Ireland"
• "The Daemon Lover"
• "Dorothy and My Grandmother and the Sailors"
• "The Dummy"
• "Elizabeth"
• "A Fine Old Firm"
• "Flower Garden"
• "Got a Letter from Jimmy"
• "The Intoxicated"
• "Like Mother Used to Make"
• "The Lottery"
• "Louisa, Please Come Home"
• "Men with Their Big Shoes"
• "My Life with R. H. Macy"
• "Of Course"
• "One Ordinary Day, with Peanuts"
• "Pillar of Salt"
• "The Possibility of Evil"
• "The Renegade"
• "Seven Types of Ambiguity"
• "The Tooth"
• "Trial by Combat"
• "The Villager"
• "The Witch"

[edit] Notes

[edit] References

• King, Stephen. Danse Macabre. Everest House, 1981.
• Kosenko, Peter. "A Reading of Shirley Jackson's The Lottery". New Orleans Review, vol. 12, no. 1 (Spring 1985), pp. 27-32.
• Murphy, Bernice. Shirley Jackson: Essays on the Literary Legacy.
• Oppenheimer, Judy. Private Demons: The Life of Shirley Jackson. New York: Putnam, 1988.
• Shapiro, Laura. Something From the Oven: Reinventing Dinner in 1950s America.

[edit] External links

• Find A Grave
• The Haunted World of Shirley Jackson
• "Monstrous acts and little murders," by Jonathan Lethem
• "Shirley Jackson: 'Delight in What I Fear'," by Paula Guran
• "Shirley Jackson: House and Guardians," by Kyla Ward
• "The Tall Man in the Blue Suit: Witchcraft, Folklore, and Reality in Shirley Jackson's The Lottery, or the Adventures of James Harris," book-length study by Håvard Nørjordet
• The Works of Shirley Jackson