Philip K. Dick

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Philip K. Dick

Philip K. Dick
Pseudonym: Richard Philips, Jack Dowland
Born: December 16, 1928
Chicago, Illinois, USA
Died: March 2, 1982
Santa Ana, California, USA
Occupation: novelist & short story writer
Nationality: American
Genres: Science Fiction
Website: PhilipKDick.com

Philip Kindred Dick (December 16, 1928 – March 2, 1982) was an American writer, mostly known for his works of science fiction; in addition to forty-four books currently in print, Dick wrote more than 120 short stories and minor works published in pulp magazines. At least eight of his stories have been cinematically adapted. Though hailed during his lifetime by peers such as Stanisław Lem, Robert A. Heinlein, and Robert Silverberg, and despite being highly regarded in France, the writer received little general public recognition in America until after his death.

Foreshadowing the cyberpunk sub-genre, Dick brought the anomic world of California to many of his works, exploring sociological and political themes in his early novels and stories, often dominated by neo-feudal corporate quasi-governments, while his later work tackled drugs and theology, drawing upon his own life experiences in novels such as A Scanner Darkly and VALIS. Alternate universes and simulacra were common plot devices, with fictional worlds inhabited by common, working people, rather than galactic elites. "There are no heroics in Dick's books," Ursula K. Le Guin wrote, "but there are heroes. One is reminded of Dickens: what counts is the honesty, constancy, kindness and patience of ordinary people."

His novel The Man in the High Castle bridged the genres of alternative history and science fiction, earning a Hugo Award for Best Novel in 1963. Flow My Tears, The Policeman Said, a novel about a celebrity who awakens in a parallel universe where he is completely unknown, won the John W. Campbell Memorial Award for best novel in 1975. "I want to write about people I love, and put them into a fictional world spun out of my own mind, not the world we actually have, because the world we actually have does not meet my standards," Dick wrote of these stories. "In my writing I even question the universe; I wonder out loud if it is real, and I wonder out loud if all of us are real."

Dick's stories often become surreal fantasies, with characters discovering that their everyday world is an illusion, emanating either from external entities or from the vicissitudes of an unreliable narrator. "All of his work starts with the basic assumption that there cannot be one, single, objective reality," writes science fiction author Charles Platt. "Everything is a matter of perception. The ground is liable to shift under your feet. A protagonist may find himself living out another person's dream, or he may enter a drug-induced state that actually makes better sense than the real world, or he may cross into a different universe completely."[1]

Contents

[edit] Life

[edit] Early life

Philip Kindred Dick and his twin sister, Jane Charlotte Dick, were born six weeks premature to Joseph Edgar Dick and Dorothy Kindred Dick in Chicago. Per various accounts, Dorothy was unable to properly feed and care for the newborns, and Jane was badly burned with an electric blanket. Dick's father, a fraud investigator for the United States Department of Agriculture, had recently taken out life insurance policies on the family. An insurance nurse was dispatched to the Dick household. Upon seeing the malnourished Philip and injured Jane, the nurse rushed the babies to hospital. Baby Jane died enroute, just five weeks after her birth (January 26, 1929). The death of Philip's twin sister profoundly affected his writing, relationships, and every aspect of his life, leading to the recurrent motif of the "phantom twin" in many of his books.

The family moved to the San Francisco Bay Area. When Philip turned five, his father was transferred to Reno, Nevada. Dorothy refused to move, and she and Joseph were divorced. Joseph fought her for custody of Philip but did not win it. Dorothy, determined to raise Philip alone, took a job in Washington, D.C. and moved there with her son.

Philip K. Dick was enrolled at John Eaton Elementary School from 1936 to 1938, completing the second through the fourth grades. His lowest grade was a "C" in written composition, although a teacher remarked that he "shows interest and ability in story telling." In June 1938, Dorothy and Philip returned to California.

Dick attended Berkeley High School, Berkeley, California. After graduating from high school he briefly attended the University of California, Berkeley as a German major, but dropped out before completing any coursework. Dick claimed to have been host of a classical music program on KSMO Radio in 1947. From 1948 to 1952 he worked in a record store, his only job before selling his first story in 1952. From that point on he wrote full-time, selling his first novel in 1955. The 1950s were a difficult impoverished time for Dick. He once said, "We couldn't even pay the late fees on a library book."

In 1955, Dick and his wife, Kleo Apostolides, received a visit from the FBI. They believed this resulted from Kleo's socialist views and left-wing activities. The couple briefly befriended one of the FBI agents. Dick himself regarded Communism as a control system equivalent to fascism.[2]

In 1963, Dick won the Hugo Award for The Man in the High Castle. Although he was hailed as a genius in the SF world, the mainstream literary world was unappreciative, and he could publish books only through low-paying SF publishers such as Ace. Even in his later years, he continued to have financial troubles.

In the introduction to the 1980 short story collection "The Golden Man," Dick wrote: "Several years ago, when I was ill, Heinlein offered his help, anything he could do, and we had never met; he would phone me to cheer me up and see how I was doing. He wanted to buy me an electric typewriter, God bless him—one of the few true gentlemen in this world. I don't agree with any ideas he puts forth in his writing, but that is neither here nor there. One time when I owed the IRS a lot of money and couldn't raise it, Heinlein loaned the money to me. I think a great deal of him and his wife; I dedicated a book to them in appreciation. Robert Heinlein is a fine-looking man, very impressive and very military in stance; you can tell he has a military background, even to the haircut. He knows I'm a flipped-out freak and still he helped me and my wife when we were in trouble. That is the best in humanity, there; that is who and what I love."

In 1972, Dick donated his manuscripts and papers to the Special Collections Library at California State University, Fullerton where they are archived in the Philip K. Dick Science Fiction Collection in the Pollak Library. It was at Fullerton, California, that Philip K. Dick befriended science fiction writers K. W. Jeter, James Blaylock, and Tim Powers.

The last novel published during Dick's life was The Transmigration of Timothy Archer.

[edit] Visions and psychological problems

In his boyhood, around the age of thirteen, Dick had a recurring dream for several weeks. He dreamt he was in a bookstore, trying to find an issue of Astounding Magazine. This issue of the magazine would contain the story titled "The Empire Never Ended", which would reveal the secrets of the universe to him. As the dream recurred, the pile of magazines he searched grew smaller and smaller, but he never reached the bottom. Eventually, he became anxious that discovering the magazine would drive him mad (as in the Lovecraftian Necronomicon or The King in Yellow, promising insanity to the reader). Shortly thereafter, the dreams ceased, but the phrase "The Empire Never Ended" would appear later in his work. Dick was a voracious reader of religion, philosophy, metaphysics, and Gnosticism, ideas of which appear in many of his stories and visions.

On February 20, 1974, Dick was recovering from the effects of sodium pentothal administered for the extraction of an impacted wisdom tooth. Answering the door to receive delivery of extra analgesic, he noticed that the deliverywoman was wearing a pendant with a symbol that he called the "vesicle pisces". This name seems to have been based on his confusion of two related symbols, the ichthys (two intersecting arcs delineating a fish in profile) that early Christians used as a secret symbol, and the vesica piscis.

After the deliverywoman's departure, Dick began experiencing strange visions. Although they may have been initially attributable to the medication, after weeks of visions he considered this explanation implausible. "I experienced an invasion of my mind by a transcendentally rational mind, as if I had been insane all my life and suddenly I had become sane," Dick told Charles Platt.[1]

Throughout February and March of 1974, he received a series of visions which he referred as "two-three-seventy-four" (2-3-74), shorthand for February-March 1974. He described the initial visions as laser beams and geometric patterns, and, occasionally, brief pictures of Jesus and of ancient Rome. As the visions increased in length and frequency, Dick claimed he began to live a double life, one as himself, "Philip K. Dick", and one as "Thomas", a Christian persecuted by Romans in the 1st century A.D. Despite his history of recreational drug use, Dick accepted the visions as real. He believed that he had been contacted by a god-entity, which he variously referred to as "Zebra", "God" and, most often, "VALIS". Dick wrote about these experiences in the semi-autobiographical novels "Valis" and "Radio Free Albemuth."

In time, Dick became paranoid, imagining plots against him by the KGB and FBI. At one point, he alleged they were responsible for a burglary of his house, from which documents were stolen. He later came to suspect that he might have committed the burglary against himself, and then forgotten he had done so. This experience is mirrored in the Bob Arctor-Agent Fred character in A Scanner Darkly.

Dick himself speculated as to whether he may have suffered from schizophrenia. Mental illness was a constant interest of Dick's, and themes of mental illness permeate his work. The character Jack Bohlen in the 1964 novel Martian Time-Slip is an "ex-schizophrenic". The novel Clans of the Alphane Moon centers on an entire society made up of descendants of lunatic asylum inmates. In 1965 he wrote the essay titled "Schizophrenia and the Book of Changes."[3]

Drug use was also a theme in many of Dick’s works, such as A Scanner Darkly and The Three Stigmata of Palmer Eldritch. Dick was a drug user for much of his life. According to a 1975 interview in Rolling Stone [1], Dick wrote all of his books published before 1970 high on amphetamines. "A Scanner Darkly [published in 1977] was the first complete novel I had written without speed,” said Dick in the interview. He also experimented with psychedelics, but wrote The Three Stigmata of Palmer Eldritch, which Rolling Stone dubs “the classic LSD novel of all time,” before he had ever tried them.

[edit] Aliases

He occasionally wrote under pen names, most notably Richard Philips and Jack Dowland. The surname Dowland refers to composer John Dowland, who is featured in several works. The title Flow My Tears, The Policeman Said directly refers to Dowland's best-known composition, Flow My Tears. In the novel The Divine Invasion, the 'Linda Fox' character is an intergalactically-famous singer whose entire body of work consists of remakes of John Dowland compositions. Also, some protagonists in Dick's short-fiction are named 'Dowland'.

The short story "Orpheus with Clay Feet" was published under the pen name "Jack Dowland". The protagonist desires to be the muse for fictional author Jack Dowland, considered the greatest science fiction author of the 20th century. In the story, Dowland publishes a short story titled "Orpheus with Clay Feet", under the pen name "Philip K. Dick".

In the semi-autobiographical novel VALIS, the protagonist is named "Horselover Fat"; "Philip", or "Phil-Hippos", is Greek for "Horselover", while "Dick" is German for "Fat".

Although he never used it himself, Dick's fans and critics often refer to him familiarly as "PKD", and use the comparative literary adjectives "Dickian" and "Phildickian" in describing his style and themes (cf. Kafkaesque, Orwellian).

[edit] Marriages and children

Dick married five times, and had two daughters and a son; each marriage ended in divorce.

  • May 1948, to Jeanette Marlin (lasted six months)
  • June 1950, to Kleo Apostolides (divorced 1959)
  • 1959, to Anne Williams Rubinstein (child: Laura Archer, born February 25, 1960) (divorced 1964)
  • 1966, to Nancy Hackett (child: Isolde, "Isa") (divorced 1972)
  • April 18, 1973, to Leslie (Tessa) Busby (child: Christopher) (divorced 1977)

[edit] Death

Philip K. Dick died in Santa Ana, California, on March 2, 1982. He had suffered a stroke five days earlier, and was disconnected from life support after his EEG had been consistently isoelectric since losing consciousness. After his death, his father Edgar took his son's ashes to Fort Morgan, Colorado. When his twin sister, Jane, died, her tombstone had both their names carved to it, with an empty space for Dick's death date. Brother and sister were eventually buried next to each other.

[edit] Selected works

[edit] The Man in the High Castle

Main article: The Man in the High Castle

The Man in the High Castle (1962) occurs in an alternate universe United States that is ruled by the victorious Axis powers. It is considered a defining novel of the alternate history sub-genre, and is the only Dick novel to win a Hugo Award. This novel, along with Do Androids Dream of Electric Sheep?, and Ubik, is recommended as an introductory novel to readers new to the writing of Philip K. Dick.[4]

[edit] The Three Stigmata of Palmer Eldritch

Main article: The Three Stigmata of Palmer Eldritch

The Three Stigmata of Palmer Eldritch (1965) utilizes an array of science fiction concepts and features several layers of reality and unreality. It is also one of Dick’s first works to explore religious themes.

The Three Stigmata of Palmer Eldritch occurs in the twenty-first century, when, under United Nations authority, mankind has colonized the solar system's every habitable planet and moon. Life is physically daunting and psychologically monotonous for most colonists, so the UN must draft people to go to the colonies. Most entertain themselves using “Perky Pat” dolls and accessories manufactured by Earth-based P.P. Layouts. The company also secretly creates Can-D, an illegal but widely available hallucinogenic drug allowing the user to "translate" into Perky Pat (if the drug user is a woman) or Pat's boyfriend, "Walt" (if the drug user is a man). This recreational drug use of Can-D allows colonists to experience an idealized version of life on Earth in their participation in a unconscious, collective hallucination.

[edit] Do Androids Dream of Electric Sheep?

Main article: Do Androids Dream of Electric Sheep?

Do Androids Dream of Electric Sheep? is the story of a bounty hunter policing the local android population. It occurs on a dying, poisoned Earth that has become de-populated of all "successful" humans. The only remaining inhabitants of the planet are people with no prospects off-world. Androids, also known as replicants, all have a preset "death" date. However, a few replicants seek to escape this fate and supplant the humans on Earth.

Do Androids Dream of Electric Sheep? (1968) is well known as the literary source of the influential 1982 film Blade Runner. It is both a conflation and an intensification of the pivotally Dickian question, What is real, what is fake? Are the human-looking and human-acting androids fake or real humans? Should we treat them as machines or as people? What crucial factor defines humanity as distinctly 'alive', versus those merely alive only in their outward appearance?

[edit] Ubik

Main article: Ubik

Ubik (1969) uses extensive networks of psychics and a suspended state after death, in creating a state of eroding reality. In 2005, Time Magazine listed it as one of the best one hundred English language novels published since 1923.[5]

[edit] Flow My Tears, The Policeman Said

Main article: Flow My Tears, The Policeman Said

Flow My Tears, The Policeman Said (1974) concerns Jason Taverner, a television star living in a dystopic near-future police state. After being attacked by an angry ex-girlfriend, Taverner awakens in a dingy hotel room. He still has his money in his wallet, but his identification cards are missing. This is no minor inconvenience, as security checkpoints (manned by 'pols' and 'Nats', the police and National Guard) are set up throughout the city to stop and arrest anyone without valid ID.

Jason at first thinks that he was robbed, but soon discovers that his entire identity has been erased. There is no record of him in any official database, and even his closest associates do not recognize or remember him. For the first time in many years, Jason has no fame or reputation to rely on. He has only his innate charisma to help him as he tries to find out what happened to his past and avoid the attention of the pols.

Flow My Tears, The Policeman Said was Dick's first published novel after years of silence. During which time his critical reputation had grown, and this novel was awarded the John W. Campbell Memorial Award for Best Science Fiction Novel. It is the only Philip K. Dick novel nominated both for a Hugo and for a Nebula Award.

In an essay written two years before dying, Dick described how he learned from his Episcopalian priest that an important scene in the novel was very similar to a scene in the Book of Acts.[6] Notably, Richard Linklater talks about this novel in the film Waking Life, which begins with a scene much reminiscent of something ocurring to the character Ragle Gumm in another Dick novel, Time out of Joint.

[edit] A Scanner Darkly

Main article: A Scanner Darkly

A Scanner Darkly (1977) is a bleak mixture of science fiction and police procedural novels; in its story, an undercover narcotics police detective ingests massive doses and amounts of a dangerous drug in maintaining his cover as a druggie. It was adapted to film by Richard Linklater, it opened July 7, 2006.

[edit] VALIS

Main article: VALIS

VALIS, (1980) is perhaps Dick’s most postmodern and autobiographical novel, examining his own, supposed encounters with a divine presence. It also may be considered his most academically studied work, and was adapted as an opera by Tod Machover.[7] VALIS was voted Philip K. Dick‘s best novel at the website philipkdickfans.com.[8]

His later works, especially the VALIS trilogy, were heavily autobiographical, many with "two-three-seventy-four" (2-3-74) references and influences. The word VALIS is the acronym for Vast Active Living Intelligence System; it is the title of a novel (and is continued thematically in at least three more novels). Later, PKD theorized that VALIS was both a "reality generator" and a means of extraterrestrial communication.

[edit] Exegesis

Main article: Exegesis (book)

Regardless of the feeling that he was somehow experiencing a divine communication, P.K. Dick was unable, ever, to fully rationalize the events. For the rest of his life, he struggled to fully comprehend what was occurring, and questioning his own sanity and perception of reality. What thoughts he could, he transcribed into an eight-thousand-page, one million word journal dubbed the Exegesis.

He spent sleepless nights furiously writing his journal, in some instances, high on many amphetamines, which indubitably contributed to the journal's eclectic tone. A recurring theme in Exegesis is PKD's hypothesis that history had been stopped in the 1st century B.C., and that "the Roman Empire never ended". He saw Rome as the pinnacle of materialism, which, after forcing the Gnostics underground 1,900 years earlier, had kept the population of Earth enslaved to worldly possessions. Dick believed that VALIS had communicated with him, and anonymous others, to induce the impeachment of U.S. President Richard M. Nixon, whom Dick believed to be the current Emperor of Rome incarnate.

[edit] Influence and legacy

[edit] Awards

During his lifetime, Dick was awarded with:

[edit] Adaptations

[edit] Films

A number of Dick's stories have been made into movies, most of them only loosely based on Dick's original stories, being used as a starting-point for a Hollywood action-adventure story, while introducing violence uncharacteristic of Dick's stories and replacing the typically nondescript Dick protagonist with an action hero. (Dick himself wrote a screenplay for an intended film adaptation of Ubik in 1974, but the film was never made.)

  • The most famous film adaptation is Ridley Scott's classic movie Blade Runner (based on Dick's 1968 novel Do Androids Dream of Electric Sheep?). Dick was apprehensive about how his story would be adapted for the film; he refused to do a novelization of the film and he was critical of it and its director, Ridley Scott, during its production. When given an opportunity to see some of the special effects sequences of Los Angeles 2019, Dick was amazed that the environment was "exactly as how I'd imagined it!"[citation needed] Following the screening, Dick and Scott had a frank but cordial discussion of Blade Runner's themes and characters, and although they had differing views, Dick fully backed the film from then on. Dick died from a stroke less than four months before the release of the film.
  • Total Recall (1990), based on the short story "We Can Remember It for You Wholesale", evokes a feeling similar to that of the original story while streamlining the plot. However, the action-film protagonist is totally unlike Dick's (typical) nebbishy protagonist. It includes such elements as the confusion of fantasy and reality, the progression towards more fantastic elements through the story, machines talking back to humans, and the protagonist's doubts about his own identity.
  • Dick's 1953 story Imposter has been adapted twice: first in 1962 for the British anthology television series Out of This World and then, in 2002, the movie Impostor utilizes two of Dick's most common themes: mental illness, which diminishes the sufferer's ability to discriminate between reality and hallucination, and a protagonist persecuted by an oppressive government.
  • The film Screamers (1995) was based on a Dick short story Second Variety; however, the location was altered from a war-devastated Earth in the story, to a generic science fiction environment of a distant planet in the film. Second Variety has been cited as a possible influence on the scenes in the machine-dominated future of The Terminator (1984) and its sequels.
  • John Woo's 2003 film, Paycheck, was a very loose adaptation of Dick's short story of that name, and suffered greatly both at the hands of critics and at the box office.
  • The French film Barjo ("Confessions d'un Barjo") is based on Dick's non-science-fiction book Confessions of a Crap Artist. Reflecting Dick's popularity and critical respect with the French, Barjo faithfully conveys a strong sense of Dick's aesthetic sensibility, unseen in the better-known film adaptation. A brief science fiction homage is slipped into the film in the form of a TV show.
  • An animated film of A Scanner Darkly was directed by Richard Linklater. It stars Keanu Reeves as Fred/Bob Arctor and Winona Ryder as Donna. Robert Downey Jr. and Woody Harrelson, actors both noted for drug issues, are also cast in the film. The film was produced using the process of rotoscoping: it was first shot in live-action and then the live footage was animated over.

[edit] Stage and radio

  • At least two of Dick's works have been adapted for the stage. The first was the opera VALIS, composed and with libretto by Tod Machover, which premiered at the Pompidou Center in Paris on December 1, 1987, with a French libretto. It was subsequently revised and readapted into English, and was recorded and released on CD (Bridge Records BCD9007) in 1988.
  • A radio drama adaptation of Dick's short story "Mr. Spaceship" was aired by the Finnish Broadcasting Company (Yleisradio) in 1996 under the name "Menolippu Paratiisiin".

[edit] Biopic

On 8 August 2006, actor Paul Giamatti announced that his company, Touchy Feely Films, plans to produce a biopic about Dick, with the permission of Isa Dick Hackett, PKD's daughter, through her company Electric Shepherd Productions. Tony Grisoni, who wrote the screenplays for films such as Terry Gilliam's Tideland and Fear and Loathing in Las Vegas, is writing the film script.[9]

The science fiction podcast Starshipsofa carried a three part special on Philip K Dick, covering his films, books and his life.

[edit] Trivia

  • Dick's ex-wife, Tessa, was asked in an interview why she thought his original titles rarely have been used in film adaptations (Blade Runner vs. Do Androids Dream of Electric Sheep?, et cetera). She replied, "Actually, the books rarely carry Phil's original titles, as the editors usually wrote new titles after reading his manuscripts. Phil often commented that he couldn't write good titles. If he could, he would have been an advertising writer instead of a novelist."[10]
  • Dick and Ursula K. Le Guin were members of the same high school graduating class (Berkeley (Ca.) High School, 1947), yet were unknown to each other. Le Guin (then Ursula Kroeber) had been accelerated a grade, while Dick missed much of his senior year with the agoraphobia that plagued his adulthood. Le Guin later became one of Dick's great champions: "our own, home-grown Borges", and wrote The Lathe of Heaven in conscious PKD homage; they maintained a friendship and correspondence until his death.
  • The French science-fiction children's show Code: Lyoko is set at the fictional Kadic Academy, the name 'Kadic' being derived from, and in homage to, Phillip 'K-Dick'.
  • Films based on Dick's writing have accumulated a total revenue of around US $700 million as of 2004.[11]
  • Dick was "resurrected" by his fans in the form of a remote-controlled android designed in his likeness. The android of Philip K. Dick was impanelled in a San Diego, California, USA, Comic Con presentation about the film adaptation of the novel, A Scanner Darkly. Unfortunately, in February 2006, an airline "misplaced" the android, and is yet to be found.
  • In A Scanner Darkly, blue flowers are a central theme; the Blue Flower is a German Romantic movement symbol. One of the German Romantic poets was called Novalis, a name strikingly similar to VALIS. Many of Novalis's themes and ideas have an echo in P.K. Dick's own Gnosticism. Part of the protagonist's name in VALIS is a German translation of PKD's name.
  • When asked why he 'enjoyed' writing such dystopic stories, and those in which reality often was morbidly and chaotically swept away to the detriment of the characters, Dick replied "I would never want to live in one of my novels!"[citation needed]

[edit] Bibliography

[edit] See also

[edit] Notes

  1. ^ a b Platt, Charles. (1980). Dream Makers: The Uncommon People Who Write Science Fiction. Berkley Publishing. ISBN 0-425-04668-0
  2. ^ Carrere, Emmanuel: I am Alive and You are Dead: A Jouney into the Mind of Philip K. Dick., page 23. Henry Holt and Company, 2005
  3. ^ Sutin, Lawrence. Divine Invasions: A Life of Philip K. Dick. Carroll & Graf, 2005
  4. ^ philipkdickfans.com
  5. ^ time.com – Ubik
  6. ^ The religion of Philip K. Dick, accessed August 5 2006
  7. ^ web.media.mit.edu
  8. ^ philipkdickfans.com – Horse race results
  9. ^ philipkdick.com
  10. ^ Knight, Annie. About Philip K. Dick: An interview with Tessa, Chris, and Ranea Dick.
  11. ^ The Economist. April 17, 2004. v371. i8371 p. 83.

[edit] External links

Wikiquote has a collection of quotations related to:


Books by Philip K. Dick
Gather Yourselves Together | Voices From the Street | Vulcan's Hammer | Dr. Futurity | The Cosmic Puppets | Solar Lottery | Mary and the Giant | The World Jones Made | Eye in the Sky | The Man Who Japed | A Time for George Stavros | Pilgrim on the Hill | The Broken Bubble | Puttering About in a Small Land | Nicholas and the Higs | Time Out of Joint | In Milton Lumky Territory | Confessions of a Crap Artist | The Man Whose Teeth Were All Exactly Alike | Humpty Dumpty in Oakland | The Man in the High Castle | We Can Build You | Martian Time-Slip | Dr. Bloodmoney, or How We Got Along After the Bomb | The Game-Players of Titan | The Simulacra | The Crack in Space | Now Wait for Last Year | Do Androids Dream of Electric Sheep? | Clans of the Alphane Moon | The Three Stigmata of Palmer Eldritch | The Zap Gun | The Penultimate Truth | Deus Irae | The Unteleported Man | The Ganymede Takeover | Counter-Clock World | Nick and the Glimmung | Ubik | Galactic Pot-Healer | A Maze of Death | Our Friends from Frolix 8 | Flow My Tears, The Policeman Said | A Scanner Darkly | Radio Free Albemuth | VALIS | The Divine Invasion | The Transmigration of Timothy Archer
v • d • e
Short Stories by Philip K. Dick

The Cookie Lady · Stability · Roog · Project: Earth · Expendable · The Little Movement · The Preserving Machine · The Short Happy Life of the Brown Oxford · Beyond Lies the Wub · The Gun · The Skull · The Defenders · Mr. Spaceship · Piper In The Woods · The Infinities · The Indefatigable Frog · The Variable Man · The Crystal Crypt · The Builder · Meddler · Paycheck · Out In The Garden · The Great C · The King Of The Elves · Colony · Prize Ship · Nanny · Beyond the Door · Second Variety · Jon's World · The Cosmic Poachers · Some Kinds of Life · Progeny · Martians Come In Clouds · The Commuter · The World She Wanted · A Surface Raid · The Trouble with Bubbles · A Present for Pat · Breakfast at Twilight · Of Withered Apples · The Hood Maker · Human Is · The Impossible Planet · Adjustment Team · Impostor · James P. Crow · Planet For Transients · Small Town · Souvenir · Survey Team · Vulcan's Hammer · Prominent Author · Fair Game · The Hanging Stranger · The Eyes Have It · Time Pawn · The Golden Man · The Turning Wheel · The Last of the Masters · The Father-thing · Strange Eden · A Glass of Darkness · Tony and the Beetles · Null-O · Exhibit Piece · To Serve the Master · The Crawlers · Sales Pitch · Shell Game · Upon the Dull Earth · Foster, You're Dead! · Pay for the Printer · War Veteran · The Chromium Fence · Misadjustment · A World of Talent · Psi-man Heal My Child! · Service Call · Autofac · Captive Market · The Mold of Yancy · Minority Report · The Unreconstructed M · Recall Mechanism · Explorers We · War Game · If There Were No Benny Cemoli · Novelty Act · Waterspider · What the Dead Men Say · Orpheus with Clay Feet · Stand-by · The Days of Perky Pat · What'll We Do With Ragland Park? · Oh, to be a Blobel! · All We Marsmen · The War with the Fnools · Cantata 140 · A Game of Unchance · The Little Black Box · Precious Artifact · The Unteleported Man · Retreat Syndrome · Project Plowshare · Faith of our Fathers · We Can Remember It For You Wholesale · Holy Quarrel · Your Appointment Will Be Yesterday · Return Match · Not By Its Cover · The Story To End All Stories · The Electric Ant · A. Lincoln, Simulacrum · Cadbury, the Beaver Who Lacked · The Different Stages Of Love · A Little Something For Us Tempunauts · The Pre-persons · The Eye of The Sibyl · The Exit Door Leads In · Chains Of Air, Web Of Aethyr · Strange Memories Of Death · I Hope I Shall Arrive Soon · Rautavaara's Case · Fawn, Look Back · The Alien Mind · The Day Mr. Computer Fell Out Of Its Tree · Goodbye, Vincent · 11-17-80 · The Name of the Game is Death

Persondata
NAME Dick, Philip Kindred
ALTERNATIVE NAMES
SHORT DESCRIPTION American science fiction author
DATE OF BIRTH December 16, 1928
PLACE OF BIRTH Chicago, Illinois
DATE OF DEATH March 2, 1982
PLACE OF DEATH Santa Ana, California

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