Fencing
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In the broadest possible sense, fencing is the art of armed combat involving cutting, stabbing, or bludgeoning weapons directly manipulated by hand, rather than shot or thrown. Example weapons include swords, knives, pikes, bayonets, batons, clubs, and similar. In contemporary common usage, fencing tends to refer specifically to European schools of swordsmanship and to the modern Olympic sport that has evolved out of them. Fencing is one of the four sports that has been featured at every modern Olympic Games. The modern weapons for sport fencing are the foil, épée, and sabre. The term 'Fencing' derives from the expression, "The Art of Defence", meaning the art of defending one's self in combat. This article is predominantly about Olympic fencing.
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[edit] Forms of fencing
Contemporary fencing is divided in three broad categories:
- Competitive fencing
- Fencing as a Western martial art
- Other forms of fencing
[edit] Competitive fencing
There are three forms of competitive fencing in practice. Variations make each of them a distinct game. All three approach the activity as a sport, with varying degrees of connectedness to its historic past.
Olympic fencing (or simply "fencing") refers to the fencing seen in most competitions, including the Olympic Games. It is marked by the use of electronic scoring equipment, and conducted according to rules laid down by the Fédération Internationale d'Escrime (FIE), the sports federation governing most international fencing competitions. The current rules are very loosely based on a set of conventions developed in 18th- and 19th-century Europe to govern fencing as a martial art and a gentlemanly pursuit. The weapons used are the electric foil, electric épée, and electric sabre.
Wheelchair fencing, an original paralympic sport, was developed in post-World War II England. Minor modifications to the FIE rules allow disabled fencers to fence all three weapons. The most apparent change is that each fencer sits in a wheelchair fastened to a frame. Footwork is replaced by torso or arm movement, depending on the fencer's disability. The proximity of the two fencers tends to increase the pace of bouts, which require considerable skill. The weapons are identical to those used in Olympic fencing.
American Fencing League (AFL) fencing is conducted in the United States according to rules of the American Fencing League (founded in 2005), which are based on the 1940 rules of the old Amateur Fencers League of America (which became the USFA in 1981). AFL fencing is not as purely athletic a game as Olympic fencing, as it has longer "phrases," longer time limits, 1-touch épée rules, a different approach to the principle of "right of way," and a revival of 3-weapon bouts. It uses the standard (non-electric) foil, standard épée, and standard sabre. Confusingly, it is sometimes referred to as classical fencing (see below).
[edit] Fencing as a Western martial art
Some practitioners of fencing approach it as a Western martial art, with the goal being to train for a theoretical duel. The element of sport is absent (or nearly so) from these forms of fencing, but they all share a common origin with each other and with competitive fencing.
Classical fencing is differentiated from competitive fencing as being theoretically closer to swordplay as a martial art. Those who call themselves classical fencers may advocate the use of what they see as more authentic practices, including little or no emphasis on sport competition. There is strong interest within the classical fencing community in reviving the European fencing practices of the 19th and early 20th century, when fencers were expected to be able to fight a duel using their training. Weapons used are the standard (non-electric) foil, standard epee (often equipped with pointes d'arret), and the blunted duelling sabre. AFL fencing is often referred to as classical fencing, but this is a misnomer.
Historical fencing is a type of historical martial arts reconstruction based on surviving texts and traditions, with a particular emphasis on pre-19th century fencing practices. Predictably, historical fencers study an extremely wide array of weapons from different regions and periods. They may work with bucklers, daggers, polearms, bludgeoning weapons, etc. One main preoccupation of historical fencers is with weapons of realistic weight, which demand a different way of manipulating them from what is the norm in modern Fencing. For example, light weapons can be manipulated through the use of the fingers, but more realistically-weighted weapons must be controlled more through the wrist and elbow. This difference is great and can lead to drastic changes even in the carriage of the body and footwork in combat. There is considerable overlap between classical and historical fencing, especially with regard to 19th-century fencing practices. The weapons of choice in this form of fencing are oval and diamond shaped blades, with the most prevalent being the schlager blade.[citation needed]
[edit] Other forms of fencing
Finally, there are several other forms of fencing which have little in common besides history with either of the other two classifications.
Academic fencing, or mensur, is a German student tradition that is still practiced in Germany, Switzerland and Austria as well as in Flanders and Latvia. The combat, which uses a cutting weapon known as the schlager, uses sharpened blades and takes place between members of student fraternities - "Studentenverbindungen" - in accordance with a strictly delineated set of conventions. It uses special protective gear that leaves most of the head and face, excluding the eyes, unprotected. The ultimate goal is to develop personal character, therefore there is no winner or loser and flinching is not allowed. Acquiring a proper cut on the face with the sharp blade is one goal and a visible sign of manly courage.
Stage fencing seeks to achieve maximum theatrical impact in representing a wide range of styles, including both modern and historical forms of fencing. Theatrical fight scenes are choreographed and fencing actions are exaggerated for dramatic effect and visual clarity.
Recreational roleplaying often incorporates fencing in the context of historical or fantasy themes in the Society for Creative Anachronism or live-action roleplaying games. Technique and scoring systems vary widely from one group to the next, as do the weapons. Depending on local conventions, participants may use modern sport fencing weapons, period weapons, or weapons invented specifically for the purpose, such as boffers.
[edit] Modern weapons
Three weapons survive in modern competitive fencing: foil, épée, and sabre. The spadroon and the heavy cavalry-style sabre, both of which saw widespread competitive use in the 19th century, fell into disfavour in the early 20th century with the rising popularity of the lighter and faster weapon used today, based on the Italian duelling sabre. The singlestick was featured in the 1904 Olympic Games, but it was already declining in popularity at that time. Bayonet fencing experienced a somewhat slower decline, with competitions organized by some armed forces as late as the 1940s and 1950s. At one time, combat with staves of various lengths, spears, halberds, axes, daggers, wrestling, shields and flails were all considered fencing. Today these weapons are the preserve of historical fencing.
While the weapons fencers use differ in size and purpose, their basic construction remains similar across the disciplines. Every weapon has a blade and a hilt. The tip of the blade is generally referred to as the point. The hilt consists of a guard and a grip. The guard (also known as the coquille, or the bellguard) is a metal shell designed to protect the fingers. The grip is the weapon's actual handle. There are a number of commonly used variants. The more traditional kind tend to terminate with a pommel, a heavy nut intended to act as a counterweight for the blade. The more popular grip style used is the Visconti, more commonly referred to as a "pistol grip." It is said to be more ergonomical, contouring to the fencer's hand, and provides better tip control. Almost every fencing country has their own variant of the pistol grip.
[edit] Foil
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The foil is a light and flexible weapon, originally developed in the mid 17th century as a training weapon for the court sword (a light one-handed sword designed almost exclusively for thrusting). It is the weapon that, traditionally, many students practice first. Hits can be scored only by hitting the valid target surface with the point of the weapon. The target area is restricted to the torso. A touch on an off-target area stops the bout, but does not score a point. There are "right of way" conventions or priority rules, whose basic idea is that the first person to create a viable threat or the last person to defend successfully receives a "right" to hit. If two hits arrive more or less simultaneously, only the fencer who had the "right of way" receives a point. If priority cannot be assigned unambiguously, no points are awarded. The basic idea behind the foil rules was, originally, to encourage the defence of one's vital areas, and to fence in a methodical way with initiative passing back and forth between the two fencers and no last-minute counter-attacks ---- which risk a double death.
In modern competitive fencing "electric" weapons are used. These have a push-button on the point of the blade, which allows hits to be registered by the electronic scoring apparatus. In order to register, the button must be depressed with a force of at least 4.90 newtons (500 grams-force) for at least 15 milliseconds (Originally 1-5 milliseconds, but changed in 2004, done to counter the popularity of the "flick attack"). Fencers wear conductive (lamé) jackets covering their target area, which allow the scoring apparatus to differentiate between on- and off-target hits.
[edit] Épée
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Épée fencing was started at the beginning of the 16th century. While the use of two-handed longsword was declining and full suits of plate armour became less common, this new weapon was born in Spain. The rapier épée had a long fine blade with a sharper edge, and the tip could be used to cut and thrust. The guard looked like a small basket drilled with holes, having a long, straight ramrod bored through it to be used in engaging and breaking the opponent's blade and point. The introduction of the rapier brought about a new style of fencing, used almost entirely in the civilian realm of battle.
Like the foil, the épée is a thrusting weapon: to score a valid hit, the fencer must fix the point of his weapon on his opponent's target. However, épée lacks the foil's most artificial conventions: the restricted target area and the priority rules. In épée, a hit can be scored by landing a hit anywhere on the opponent's body. The fencer whose hit lands first receives the point, irrespective of what happened in the preceding phrase. If two hits arrive simultaneously (within 40 milliseconds of each other), a double hit is recorded, and both fencers get a point (except for in modern pentathlon one-hit épée, where neither fencer receives a point).
In order for the scoring apparatus to register a hit, the push-button on the end of the weapon must remain fully depressed (tip must be depressed for a certain distance) for 2-10 milliseconds. To register, the hit must arrive with a force of at least 7.35 newtons (the equivalent of 750 grams of stationary mass) - a slightly higher threshold than the foil's 4.9 newtons (500 grams). All hits register as valid, unless they land on a grounded metal surface, such as a part of the opponent's weapon, in which case they do not register at all. At large events, grounded conductive pistes are often used in order to prevent the registration of hits against the floor. At smaller events and in club fencing, it is generally the responsibility of the referee to watch out for floor hits. These often happen by accident, when an épéeist tries to hit the opponent's foot and misses. In such cases, they are simply ignored. However, deliberate hits against the floor are treated as "dishonest fencing," and penalized accordingly.
[edit] Sabre
The sabre is the "cutting" weapon, with a curved guard and a triangular blade. However, in modern electric scoring, a touch with any part of the sabre, point, flat or edge, as long as it is on target, will register a hit.
The modern sabre is commonly believed to have taken its origins and traditions from the cavalry sabre, but that has recently been exposed as a myth.[citation needed] It is believed that the Hungarians introduced sabre fencing in Europe towards the end of the 18th century. Their sabre, derived from oriental scimitars, had a flat, slightly curved blade and was not as wide and thick as the French cavalry sabre. The Hungarians could not perfect their sabre until they were influenced by the Italian school, which helped them to perfect their teaching.
The target area in sabre is everything from the waist up, except for the hands. A hit that lands off target will not register a light or stop the bout.
Like foil fencing, sabre fencing uses right of way rules. However, the definition of an "attack" is slightly different for the two weapons, and as a result, the right of way rules distinguish sabre and foil, though the basic concepts are the same. Sabre right of way rewards very fast fencing (on offence and defence), so sabre fencing tends to be more aggressive in style than the other weapons.
[edit] Protective clothing
The clothing which is worn in modern fencing is made of tough cotton or nylon. Kevlar was added to top level uniform pieces (jacket, breeches, underarm protector, and the bib of the mask) following the Smirnov incident at the 1982 World Championships in Rome. However, kevlar breaks down in chlorine and UV light, so the act of washing one's uniform and/or hanging it up in the sun to dry actually damaged the kevlar's ability to do the job.
In recent years other ballistic fabrics such as Dyneema have been developed that perform the puncture resistance function and which do not have kevlar's weakness. In fact, the FIE rules state that the entirety of the uniform (meaning FIE level clothing, as the rules are written for FIE tournaments) must be made of fabric that resists a force of 800 newtons (1600N in the mask bib).
The complete fencing kit includes the following items of clothing:
- Form-fitting jacket covering groin and with strap (croissard) which goes between the legs, a small gorget of folded fabric is also sewn in around the collar to prevent a blade from slipping upwards towards the neck.
- Under-arm protector (plastron) which goes underneath the jacket and provides double protection on the sword arm side and upper arm. It is required to not have a seam in the armpit, which would line up with the jacket seam and provide a weak spot.
- One glove for the sword arm with a gauntlet that prevents blades from going up the sleeve and causing injury, as well as protecting the hand and providing a good grip
- Breeches or knickers which are a pair of short trousers. The legs are supposed to hold just below the knee.
- Knee-length or Thigh high socks which should cover knee and thighs.Image:Fencing socks.jpg
- Shoes with flat soles and reinforcement on the inside of the back foot, to prevent wear from lunging.
- Mask, including a bib which protects the neck. For competition, the bib must be sewn into the mask frame to eliminate a hole that might admit a blade. Thus, masks with snap-in bibs are not legal for competition. The mask can usually support 12 kilograms of force, however FIE regulation masks can stand much more, at least 25 kg.
- Plastic chest protector, mandatory for female fencers. While male versions are also available, they were, until recently, primarily worn by instructors, who are hit far more often during training than their students. Since the change of the depression timing (see above), these are increasingly popular in foil, as the hard surface increases the likelihood of point bounce and thus a failure for a hit to register. Plastrons are still mandatory, though.
- Fencing Masters will often wear a heavier protective jacket, usually reinforced by plastic foam to cushion the numerous hits an instructor has to endure. Sometimes in practice, masters wear a protective sleeve or a leg leather for protection of their fencing arm or leg.
Traditionally, the uniform is white in colour. This is primarily to assist the judges in seeing touches scored (black being the traditional colour for masters), but rules against non-white uniforms may also have been intended to combat sponsorship and the commercialization of the sport. However, recently the FIE rules have been relaxed to allow coloured uniforms. The colour white might also be traced back to times before electronic scoring equipment, when the blades were sometimes covered in soot , ink, or coloured chalk to make a mark on the opponent's clothing.
[edit] Practice and techniques
A fencing bout takes place on a strip, or piste, which, according to the current FIE regulations, should be between 1.5 and 2 meters wide and 14 meters long. There are at least three people involved: two fencers and a referee, called a "Director". The referee may be assisted by two or four side-judges. The arrival of the electronic scoring apparatus has rendered them largely redundant. Under current FIE rules, a fencer may ask for two side-judges (one to watch each fencer) if (s)he thinks that the referee is failing to notice some infringement of the rules on his opponent's part (such as use of the unarmed hand, substitution of the valid target area, breaching the boundary of the piste etc.).
[edit] Protocol
Very specific rules govern the behaviour of fencers while competing. To begin a bout, the referee stands at the side of the piste. The fencers walk on piste fully dressed, aside from the mask. If necessary, they plug their body wires into the spools connected to the electronic scoring apparatus and test their weapons against each other, to make sure everything is functioning. They then retreat to their en-garde lines. Prior to starting a bout, the fencers must salute each other. Refusal to do so can result in a fencer's suspension or disqualification. Both fencers must salute each other and the referee. They may choose to salute the audience. In non-electric events the 4 judges should be saluted also.
The referee will call "Play!" or "Fence!", and the bout will start. Judging is often done in French, in which case the referee will say "En garde. Prêt. Allez". To interrupt the bout the referee calls "Halt!" (if judging in French, the term is the same). Once the bout is stopped, the referee will, if necessary, explain his reasons for stopping it, analyse what has just happened and award points or give out penalties. If a point has been awarded, then the competitors return to their en-garde lines; if not, they remain approximately where they were when the bout was interrupted. The referee will then restart the bout as before. This procedure is repeated until either one of the fencers has reached the required number of points (generally, 1, 5, or 15, depending on the format of the bout) or until the time allowed for the bout runs out.
Fencing bouts are timed: the clock is started every time the referee calls "Fence" and stopped every time he calls "Halt!". The bout must stop after three minutes of fencing (or 8 touches in saber). In 15 point bouts, a 1 minute break occurs in between the three minute intervals. If 9 minutes of fencing time elapse in a 15 touch bout, or 3 in a 5 touch bout, the bout is over and the current scores are taken as final. If the score is tied when time runs out then the director determines priority randomly, this is generally done by coin toss. After priority is determined the fencers bout for one minute. If a point is scored, then that fencer wins, however if no points are scored then the fencer with priority wins.
[edit] Priority ("right of way") rules
Foil and sabre are governed by priority rules, according to which the fencer who is the first to initiate an attack or the last to take a successful parry receives priority. When both fencers hit more or less simultaneously, only the fencer who had priority receives the point. If priority cannot be assigned unambiguously, no points are awarded. These rules were adopted in the 18th century as part of teaching practice. Their aim is to encourage "sensible" fencing and reward initiative and circumspection at the same time, in particular to reward fencers for properly made attacks, and penalize fencers for attacking into such an attack that lands, an action that could be lethal with sharp blades.
[edit] Scoring
Prior to the introduction of electronic scoring equipment, a director (formerly called the president of jury) was assisted by four judges. Two judges were positioned behind each fencer, one on each side of the strip. The judges watched the fencer opposite to see if he was hit. This system is sometimes called "dry" fencing (USA) or "steam" (United Kingdom, Australia) fencing.
Electronic scoring is used in all major national and international, and most local, competitions. At Olympic level, it was first introduced to épée in 1936, to foil in 1956, and to sabre in 1988. The central unit of the scoring system is commonly known as "the box". In the simplest version both fencers' weapons are connected to the box via long retractable cables. The box normally carries a set of lights to signal when a touch has been made. (Larger peripheral lights are also often used.) In foil and sabre, because of the need to distinguish on-target hits from off-target ones, special conductive clothing and wires must be worn. This includes a lamé, (a jacket of conducting cloth) for both weapons, a body cord to connect the weapon to the system, a reel of retractable cable that connects to the scoring box and in the case of sabre, a conducting mask and cuff (manchette) as the head and arms are valid target areas.
[edit] Techniques
The nine classical parries comprise basic bladework. The first parry that most fencers learn is quarte, known commonly as "parry four". Parries are named for the line that they defend from attack: parry four would defend line four, which is the high inside line. Offensive bladework consists of the various means of scoring a touch on an opponent.
In a fencing bout, a great deal depends on being in the right place at the right time. Fencers are constantly manoeuvring in and out of each other's range, accelerating, decelerating, changing directions and so on. All this has to be done with minimum effort and maximum grace, which makes footwork arguably the most important aspect of a fencer's training regimen. In fact, in the first half of the 20th century it was common practice to put fencers through six months to a year of footwork before they were ever allowed to hold a sword. This practice has now been largely abandoned.
In general, Olympic fencing has put a premium on balance, speed, and athleticism in footwork, somewhat diluting orthodoxies regarding the classical stances and methods. To a degree, this has led to increasing resemblance between fencing footwork and that of other martial arts, with the significant caveat that a scoring "touch" requires almost no power behind the blow, only timing and the ability to manipulate distance.
[edit] Competition formats
Fencing tournaments are varied in their format, and there are both individual and team competitions. A tournament may comprise all three weapons, both individual and team, or it may be very specific, such as an Epee Challenge, with individual épée only. And, as in many sports, men and women compete separately. There are two types of event, individual and team. An individual event consists of two parts: the pools, and the direct eliminations.
In the pools, fencers are divided into groups, and every fencer in a pool will have the chance to fence every other fencer once. The size and number of the pools is determined by the number of athletes who have registered for the competition. After the pools are finished, the direct elimination round starts. Fencers are sorted in a table of some power of 2 (16, 32, 64, etc.) based on how many people are competing. The winner carries on in the tournament, and loser is eliminated. Fencing is slightly unusual in that no one has to fence for third place. Instead, two bronze medals are given to the losers of the semi-final round.
Team competition involves teams of three fencers. A fourth fencer can be allowed on the team as an alternate, but as soon as the fourth has been subbed in, they cannot leave again. The modern team competition is similar to the pool round of the individual competition. The fencers from opposing teams will each fence each other once, making for a total of nine matches. Matches between teams are three minutes long, or to 5 points, as in the pools. Unlike individual tournaments, teams must almost always fence for bronze.
[edit] Collegiate fencing
Collegiate fencing has existed for a long time. Some of the earliest programs in the US came from the Ivy League schools, but now there are over 100 fencing programs nation-wide. Both clubs and varsity teams participate in the sport, however only the varsity teams may participate in the NCAA championship tournament. Due to the limited number of colleges that have fencing teams, teams fence inter-division (teams from Division I schools to Division III), and all divisions participate in the NCAA Championships.
Collegiate fencing tournaments are "team tournaments" in a sense, but contrary to what many people expect, collegiate meets are not run as 45-touch relays. Schools compete against each other one at a time. In each weapon and gender, three fencers from each school fence three fencers on the opposing team in five-touch bouts. (Substitutions are allowed, so more than three fencers per squad can compete in a tournament.) A fencer's individual results in collegiate tournaments and regional championships are used to select the fencers who will compete in NCAA championships. Individual results for fencers from each school are combined to judge the school's overall performance and to calculate how it should be placed in a given tournament.
[edit] See also
- Fencing terminology
- Intercollegiate Fencing Association
- Kendo
- List of American epee fencers
- List of American foil fencers
- List of American sabre fencers
- List of club-level U.S. collegiate fencing programs
- List of NCAA fencing schools
- List of notable fencers
- List of Olympic medalists in fencing (men)
- List of Olympic medalists in fencing (women)
- USFA Hall of Fame
[edit] References
- Evangelista, Nick (1996). The Art and Science of Fencing. Chicago: Masters Press. ISBN 1-57028-075-4.
- Evangelista, Nick (2000). The Inner Game of Fencing: Exceellence in Form, Technique, Strategy, and Spirit. Chicago: Masters Press. ISBN 1-57028-230-7.
- United States Fencing Association (September, 2005). United States Fencing Association Rules for Competition. Official document. Retrieved 1 December, 2005.
[edit] External links
[edit] Olympic fencing
- Fédération Internationale d'Escrime The body responsible for all international Olympic fencing
- Australian Fencing Federation
- British Fencing Association
- Canadian Fencing Federation
- Chilean Fencing Federation
- French Fencing Federation
- Italian Fencing Federation
- United States Fencing Association
[edit] Governing bodies for other forms
- American Fencing League National organization for AFL fencing in the United States
- Association for Historical Fencing An international organization for classical and historical fencing
- Australian Historical Swordplay Federation
- International Wheelchair Fencing Committee The body responsible for all international (Paralympic) wheelchair fencing
- Italian Historical Fencing Federation
- Sala d'Arme Achille Marozzo Ancient Fencing Art Italian Institute
[edit] Other sites
- Classic books on fencing
- Classical Fencing and Historical Swordsmanship Resources An extensive directory of traditional fencing groups and individuals
- Directory of fencing links
- Fencing FAQ from rec.sport.fencing
- FencingPhotos Official photographer of the Fédération International d'Escrime
- FRED: Fencing Results and Events Database
- U.S. Fencing Coaches Association