هومر

From Wikipedia

هومر (يوناني Ὅμηρος Hómēros)
Image:Homer British Museum.jpg Bust of Homer in the British Museum
Born	ca. 8th century BC

هومر (يوناني: Ὅμηρος, Hómēros) يو پخوانی يوناني شاعر and aoidos (rhapsode) traditionally credited with the composition of the Iliad and the Odyssey. The poems are often dated to the 8th or 7th century BC; whether Homer himself was the actual composer of his works, or whether he was largely indebted to oral transmission, is debated by scholars. Homer's works begin the Western Canon and are universally praised as brilliant and influential. By convention, their composition is also often taken to initiate the period of Classical Antiquity. سره له دې چې د هومير د ژوند په هکله د پخواني يونان ادبپوهان او مؤرخين کوم دقيق معلومات نه لري . مګر (هرودت) د يونان نامتو تاريخ ليکونکی ليکلي چې (850) کاله د ميلاد څخه مخکې يې ژوند کاوه، مګر ځينو شاعرانو بيا دده ژوند (1200) کاله مخکې له ميلاد نه ياد کړی دی . په خپله د يونان اوه ښارونه دا دعوه لري چې هومير په هغو کې ژوند کړی دی خو بيا هم د هومير د اوسيدلو اصلي ځای او پلرنی ټاټوبی په درست ډول نه دی معلوم . په ځينو کيسو او داستانو کې راغلې دي چې هومير د سپين ږيريتوب او د ژوند په اخر و کارونو کې خپلو دواړو سترګو ديد له لاسه ورکړی خو په ښارونو کې به يې د چنګ رباب او ساز سره اشعار ويل او له خلکو نه به يې څه غو ښتل . د هومير دوه ادبي منظوم داستانونه چې (ايلاد او اديسه ) نوميږي په ټولو بين المللي ژبو باندې ترجمه شوي دي. دغه داستانونه نړيوال شهرت لري د هومير د اثارو سره د خلکو علاقمندۍ شپږ کاله مخکې له ميلاد نه پيل شوېده او زياتره مينه والو به يې د هغه اشعار په يادي زده کول او ډيرو پلويانو به يې دده په اشعارو باندې مجلسونه جوړول او ددغو اشعارو له ويلو څخه به يې خوند اخيست دلومړي ځل له پاره چې د هومير اشعار راټول او په ډير ښکلي خط يې وليکل . (اريستارکوس) د اسکندر يې د کتابتون ريس وه ده يوسل پنځوس کاله د ميلاد نه مخکې دوه کتابونه چاپ کړل . چې تر اوسه پورې دغه باارزښته ادبي اثار د امانت په توګه پاتې دی . د ځينو روايتونو له مخې هومير يو سندرغاړی او ړوند شاعر و چې ايلياد يې د ځوانۍ په کلونو کې او اديسه يې په سپين ږيريتوب کې ليکلی دی . يوه الماني پوه او محقق فريدريک اګوست ولف (1824-1759) ليکلي دي : چې هومير د ايلياد او اديسې اساسي برخې ليکلي دي اما نورو شاعرانو وروسته په هغه کې نور څه ورزياد کړي دي . له دې سره سره چې د هومير په باره کې زموږ معلومات ډېر لږ دي لاکن له دې ټولو سره سره بيا هم نه شو ويلای چې د هومير موجوديت به ناممکن وي . چې له هغه څخه انکار وکړو .

نيوليک 1 هومير ته منسوب آثار (ايلياد او ديسه ) 2 پېژندنه او authorship 3 د هومر پخوانۍ يادونې 4 هومري زده کړې 5 هومري ګړدود 6 هومري بڼه 7 تاريخ او اېلياد 8 اتل جوړونه 9 Publication history 10 يادښتونه 11 Selected bibliography 11.1 Editions 11.2 Interlinear translations 11.3 Partial List of English translations 11.4 General works on Homer 11.5 Influential readings and interpretations 11.6 Commentaries 11.7 Trends in Homeric scholarship 11.8 Dating the Homeric poems 12 دا هم وګورۍ 13 باندنۍ تړنې

[سمادول] هومير ته منسوب آثار (ايلياد او ديسه )

ايلياد او اديسه دوه منظوم يوناني داستانونه دي چې د يونان قديمي شاعر (هومير ) ته منسوب دي. خوداسې نظريات هم شته چې دا داستانونه يوه سړي نه دي جوړ کړي او په يوه وخت کې منځ ته نه دي راغلي ا و په خپله دهومير دژوند تاريخ هم په يوه وخت پورې يقيني نه دی ځنې يې له ميلاده اته پيړۍ يا 12 پيړۍ وړاندې بولي . يوه داسې نظريه لا هم شته چې وايي د امنظوم داستانونه په پخوا زمانه کې جوړ شوی دی او هومير هغه په ياد کړي وو. او هرځای کې به يې ويل : د يونان په ادبي تاريخ کې د (قهرمانانو عصر) په نامه يوه زمانه قيد ده چې دا داستانونه هم د هغه عصر بيانونکی دی اودا عصر د وياړ او افتخار زمانه هم بلل کيږي ، څرنګه چې په دې داستانوکې د لرغونې يونان ولس قهرماني او د قهرمانانو کارنامې ستايل شوي دي نو دښې ډېرې زمانې له پاره دمقدساتو په جمله کې شميرل کيدل او دالمانځنه او تقديس وو چې دغه قديمي ادبي اثار يې له هيرېدو څخه ساتلي دي . ددې داستانونو ناظم هرڅوک چې وو د هومير په شمول د خپل ولس د قهرمانانو شهامتونه او شجاعتونه يې توصيف کړي نو دا وجهه وه چې ولس د هغو د اوريدو څخه خوند اخيست او وروسته نو خبره دې حد ته رسېدلې وه چې پر ټاکلو وختونو د هغو اوريدنه يو سنت ؤ، ايلياد او اديسه دوه منظوم حکايتونه دي چې د(تراجان) د جګړو بيان کوي ، ايلياد پر 24 برخو مشتمل دی چې د جګړې وروستی 49 ورځې د خپلو ټولو قهرمانيو سره پکې توصيف شويدي. په دغه منظومه حماسه کې د (ترای ) محاصرې څخه غږيږي . او اوديسه هم يو داستان دی چې 24 برخې لري او (ترای) ترسقوط وروسته د اتاکا ( ) د پادشاهي څخه غږيږي . ددغه منظوم داستانونو د لهجې څخه پوره معلوميږي چې د لهجې اختلاف يې د يوه زمان محصول نه دی . ددغې منظومې کيسې خلاصه داده : چې د (ترای) د پادشاه زوی (پاريس) د يونان د پادشاه دکورنۍ يوه شهزادګۍ د (ليدا) لورد (بلوکس) او ( کاستر) خور او د (مني لاس) ښځه وه . (اګاممنون) پادشاهي په دې کيسه خبر شو نو غيرت يې په جوش راغی او دخپلو زورورو پهلوانانو (اچيل) او (اوليس) سره د (ترای) خواته روان شو ترڅو د شهزادګۍ تښتونکو ته مجازات ورکړي . د ترای دپادشاه چې خبر شو هغه هم د خپلو زامنو (هکتور) او (پاريس) سره د جنګ ډګرته راغی هغه مهال چې جګړه توده روانه وه د (اګاممنون) پادشاه او دهغه دپهلوان اچيل ترمنځ خوابدي پيښه شوه او اچيل له جګړې څخه لاس ويوست خو هغه وخت چې د جګړې په ميدان کې د (اچيل) ملګری د (پاتروګل) د ( ترای) د پادشاه د زوی ( هګتور) په لاس ووژل شو نو ( اچيل ) ته هم درد ورغی او دجنګ ميدان ته داخل شو ، ده په يوه ضرب (هکتور) مړ کړ او (ترای) پادشاه ته يې وغورزاوه . د اچيل له بېرې د ترای خلک له ميدان څخه وتښتيدل او په ښار ننوتل او دروازې يې وتړلې د (اګاممنون) لښکر چې هرڅه انتظار ويوست ښار خلاص نه شو او دمحاصرې په حال کې پاتې شو ترڅو يونانيانو چل وکړ او دلرګو آس يې جوړ کړ او په هغه کې دننه کښېناستل د ښار دروازه وانانو دوی ته فکر نه شو او کله چې آس ښار ته ننوت خلک ځينې راووتل او د دروازه وانانو سرونه يې پرې کړل ښار يې پرانيست . او دښار خلک يې ټول له تيغه تېر کړل او ديونان شهزادګۍ يې د هغو څخه خلاصه کړه او بېرته يې خپل وطن ته راوستله . په دغه جګړه کې ديونانيانو سره د مرستې له پاره د (الپ) ټول خدايان راغلي وو او دوی (اچيل) پهلوان ته وسلې جوړې کړې وې. داچيل مور هغه ته په داسې اوبو کې غسل ورکړی و چې بدن يې ټول د اوسپنې شوی وه او يوه بجلکه يې دغوښې وه او کله چې په جګړه کې د(ترای) دپادشاه زوی (باريس) په زهرو لړلی غشی د هغه خواته وروويشته نو پردغه لوڅه بجلکه يې وموښت او له دغه زخم څخه (اچيل) پهلوان مړ شو . په دغه وخت کې داچيل په وسله (اوليس) او ( اجاکس) پهلوانانو ترمنځ جګړه وموښته او (اوليس) پهلوان دنورو لښکرو څخه جلاشو او ديونان پر خوا لاړ په درياب کې يې کښتۍ ماته شوه او ده پر يوه تخته باندې تکيه وکړه . (اوليس) يوويشت کاله په درياب او ټاپوګانو کې سرګردانه ؤ، کله به يې د سمندر له څپو سره ډغرې وهلې او کله به در (سايکلوپاڼو) سره په جګړو بوخت و. دی پس له شل کاله خپل وطن ته راورسيد او وي ليدل چې ښځه يې تر دغه وخته پورې دده په نامه ناسته وه . دترای جکړه دايلياد او اديسې د داستانونو اساسي موضوع ده . تر هغه وخته پورې چې د (ترای) ښار فتح کيږي د ايلياد موضوع ده او تر هغه وروسته د (اوليس) سفر او ماجراوې د (اوديسې) په داستان پورې اړه لري ، څرنګه چې په دغو داستانونو کې د يونان دملت قهرماني لمانځل کيږي ، نو همدا وجه ده چې نوموړي اثر ته دنړۍ په ادبياتو کې د حماسې لقب ورکول شوی دی . داديسې حماسه د زمان په لحاظ له ايلياد څخه وروسته راځي. که څه هم د (اديس) په داستان کې دارباب النواعو جادو ګرانو او اشباحو نقش ته زيات وزن ورکړ شوی دی او حتی په دې نړۍ کې د يوې بلې مرموزې يا په اصطلاح (لاندې نړۍ) خبرې هم په کې راغلې دي سره له دې دغه حماسه ديونان د فرهنګ تاريخ او فلکلور په برخه کې ډيره بډايه ده او د لرغوني يونان د مدنيت له روښانه کولو سره پوره مرسته کوي. څرنګه چې په (اديس) کې ديونانيانو ژوند په واقعي بڼه منعکس شوی دی له همدې امله د(هومر) دغه اثر د نړۍ په ادبياتو کې د رياليزم لومړنی اثر ګڼل کيږي . په همدې ( اديس) کې دنر او ښځو ترمنځ مناسبات د هر يوه کار او شغل د سولې او جګړې شرايط برخه ليک لولي ديني معتقدات د کورنۍ ژوند جزييات او د چاپيريال خصوصيات په ښه توګه تمثيل شوي دي . د(اديسی) سبک ډير برمبال او پرتمين دی. (اديسويس) د حماسې اتل دپو هې زړه ورتوب او زغم ښودل دي. (پنسيلوپ) دده ميرمن د وفا داری نمونه ده او د خپل ميړه په غياب کې د هرډول نفسي او شيطاني وسواس سره مبارزه کوي. (اديسويس) هڅه کوي چې ډېر ژر د خپلې کورنۍ غيږې ته پناه وروړي خو جادوګران ارباب النواع او هر ډول بلاوې په هره شپه او هر ګام کې دی له مشکلاتو او خنډونو سره مخامخ کوي ، دده وفاداره ميرمن د بډايو طلبګارو سره لاس په ګريوان ده . دده زوی (تياماخوس) د خپل پلار دموندلو له پاره له هرډول وسايلو څخه کار اخلي . کله چې دغه ښکلې او په زړه پورې نکل شروع شي ، ماشومان خپلې لوبې پريږدي، او يونانيان هم خپل کارونه بل وخت ته ځنډوي.

[سمادول] پېژندنه او authorship

Main article: Homeric Question

Tradition holds that Homer was blind, and various Ionian cities claim to be his birthplace, but otherwise there is very little known about Homer's life. There is no concrete evidence that shows that Homer was a real person.

In Greek, Homēros means "hostage." There is a theory that his name was back-extracted from the name of a society of poets called the Homeridae, which literally means "of hostages," i.e., descendants of prisoners of war. These men were not sent to war because their loyalty on the battlefield was suspect, hence they would not get killed in battles. Thus they were entrusted with remembering the area's stock of epic poetry, to remember past events, in the times before literacy came to the area.

It has repeatedly been questioned whether the same poet was responsible for both the Iliad and the Odyssey. While many find it unlikely that the Odyssey was written by one person, others find that the epic is generally in the same writing style, and is too consistent to support the theory of multiple authors. The Batrachomyomachia, Homeric hymns, and cyclic epics are generally agreed to be later than the Iliad and the Odyssey. Most accounts of the "Iliad" and the "Odyssey" are generally accepted to be written by Homer.

Homer was even at one time credited with the entire Epic Cycle, which included further poems on the Trojan War as well as the Theban poems about Oedipus and his sons. Other works, such as the corpus of Homeric Hymns, the comic mini-epic Batrachomyomachia ("The Frog-Mouse War," Βατραχομυομαχία), and the Margites were also attributed to him, but this is now believed to be unlikely.

Most scholars generally agree that the Iliad and Odyssey underwent a process of standardization and refinement out of older material beginning in the 8th century BC. An important role in this standardization appears to have been played by the Athenian tyrant Hipparchus, who reformed the recitation of Homeric poetry at the Panathenaic festival. Many classicists hold that this reform must have involved the production of a canonical written text.

Other scholars, however, maintain their belief in the reality of an actual Homer. So little is known or even guessed of his actual life, that a common joke has it that the poems "were not written by Homer, but by another man of the same name,"[1][2]. Samuel Butler argued that a young Sicilian woman wrote the Odyssey (but not the Iliad), an idea further pursued by Robert Graves in his novel Homer's Daughter.

Most Classicists would agree that, whether or not there was ever such a composer as "Homer," the Homeric poems are the product of an oral tradition, a generations-old technique that was the collective inheritance of many singer-poets (aoidoi). An analysis of the structure and vocabulary of the Iliad and Odyssey shows that the poems consist of regular, repeating phrases; even entire verses repeat. Could the Iliad and Odyssey have been oral-formulaic poems, composed on the spot by the poet using a collection of memorized traditional verses and phases? Milman Parry and Albert Lord pointed out that such elaborate oral tradition, foreign to today's literate cultures, is typical of epic poetry in an exclusively oral culture. The crucial words are "oral" and "traditional." Parry started with "traditional." The repetitive chunks of language, he said, were inherited by the singer-poet from his predecessors, and they were useful to the poet in composition. He called these chunks of repetitive language "formulas."

Exactly when these poems would have taken on a fixed written form is subject to debate. The traditional solution is the "transcription hypothesis," wherein a non-literate "Homer" dictates his poem to a literate scribe between the 8th and 6th centuries. The Greek alphabet was introduced in the early 8th century, so that it is possible that Homer himself was of the first generation of rhapsodes that were also literate. More radical Homerists, such as Gregory Nagy, contend that a canonical text of the Homeric poems as "scripture" did not exist until the Hellenistic period (3rd to 1st century BC).

[سمادول] د هومر پخوانۍ يادونې

Main article: Ancient accounts of Homer

Many passages in archaic and classical Greek poets and prose authors mention Homer or allude to him, and the eight preserved Lives of Homer purport to give the poet's birthplace and background. Modern scholarship, however, generally concludes that these accounts give no solid evidence on which to base a theory of Homer's identity.^[1]

[سمادول] هومري زده کړې

Main article: Homeric scholarship

The study of Homer is one of the very oldest topics in all scholarship or science, and goes back to antiquity. Purely in terms of quantity it is one of the largest of all literary sub-disciplines: the annual publication output rivals that on Shakespeare. The aims and achievements of Homeric studies have changed over the course of the millennia; in the last few centuries they have revolved around the process by which the Homeric poems came into existence and were transmitted down to us, first orally, and later in writing.

Some of the main trends in modern Homeric scholarship have been, in the 19th and early 20th centuries, Analysis and Unitarianism (see Homeric question), which were schools of thought that emphasised on the one hand the inconsistencies, on the other the artistic unity, in Homer; and in the 20th century and later Oral Theory, which is the study of the mechanisms and effects of oral transmission, and Neoanalysis, which is the study of the relationship between Homer and other early epic material.

[سمادول] هومري ګړدود

Main article: Homeric Greek

The language used by Homer is an archaic version of Ionic Greek, with admixtures from certain other dialects, such as Aeolic Greek. It later served as the basis of Epic Greek, the language of epic poetry, typically in dactylic hexameter.

[سمادول] هومري بڼه

The cardinal qualities of the style of Homer have been well articulated by Matthew Arnold: "the translator of Homer," he says, "should above all be penetrated by a sense of the four qualities of his author: that he is eminently rapid; that he is eminently plain and direct, both in the evolution of his thought and in the expression of it, that is, both in his syntax and in his words; that he is eminently plain and direct in the substance of his thought, that is, in his matter and ideas; and finally, that he is eminently noble" (On Translating Homer, page 9).

The peculiar rapidity of Homer is due in great measure to his use of the hexameter verse. It is characteristic of early literature that the evolution of the thought, or the grammatical form of the sentence, is guided by the structure of the verse; and the correspondence which consequently obtains between the rhythm and the syntax, the thought being given out in lengths, as it were, and these again divided by tolerably uniform pauses produces a swift flowing movement, such as is rarely found when the periods have been constructed without direct reference to the metre. That Homer possesses this rapidity without falling into the corresponding faults, that is, without becoming either fluctuant or monotonous, is perhaps the best proof of his unequalled poetical skill. The plainness and directness, both of thought and of expression, which characterize Homer were doubtless qualities of his age; But the author of the Iliad (similar to Voltaire, to whom Arnold happily compares him) must have possessed this gift in a surpassing degree. The Odyssey is in this respect perceptibly below the level of the Iliad.

Rapidity or ease of movement, plainness of expression, and plainness of thought are not the distinguishing qualities of the great epic poets, Virgil, Dante, and Milton (Dante in fact mentions Homer in Inferno IV,88, ranking him as 'Poet sovereign' just above Horace, Ovid and Virgil). On the contrary, they belong rather to the humbler epico-lyrical school for which Homer has been so often claimed. The proof that Homer does not belong to that school, and that his poetry is not in any true sense ballad-poetry is furnished by the higher artistic structure of his poems, and, as regards style by the fourth of the qualities distinguished by Arnold, the quality of nobleness. It is his noble and powerful style, sustained through every change of idea and subject, that finally separates Homer from all forms of ballad-poetry and popular epic.

It may be recognized that there is an historical connection between the Iliad and Odyssey and the ballad literature which undoubtedly preceded them in Greece. It may even be admitted that the swift-flowing movement, and the simplicity of thought and style, which are greatly admired in the Iliad, are an inheritance from the earlier lays, such as the reference to Achilles and Patroclus singing to the lyre in their tent; even the hexameter verse may be assigned to them. But between earlier days and the time of Homer we must place the cultivation of epic poetry as an art. The pre-Homeric days doubtless furnished the elements of such poetry, but they must have been refined somewhat before they gave way to poems like the Iliad and Odyssey.

Like the French epics, such as the Chanson de Roland, Homeric poetry is indigenous, and by the ease of movement and its resulting simplicity, is distinguishable from the works of Dante, Milton, and Virgil. It is also distinguished from the works of these artists by the comparative absence of underlying motives or sentiment. In Virgil's poetry a sense of the greatness of Rome and Italy is the leading motive of a passionate rhetoric, partly veiled by the chosen delicacy of his language. Dante and Milton are still more faithful exponents of the religion and politics of their time. Even the French epics display sentiments of fear and hatred of the Saracens; but in Homer's works, the interest is purely dramatic. There is no strong antipathy of race or religion; the war turns on no political event; the capture of Troy lies outside the range of the Iliad, and even the heroes portrayed are not comparable to the chief national heroes of Greece. So far as can be seen, the chief interest in Homer's works is that of human feeling and emotion, and of drama - indeed, Homer's works are oft referred to as 'dramas'. Homer's presence can still be felt in modern culture. An example of this is people naming their children "Homer" or the french variation "Homère". For example Homère Ménard-Lamarre, a developper for EA Mobile.

[سمادول] تاريخ او اېلياد

See main article Historicity of the Iliad.

Another significant question regards the possible historical basis of the poems. The commentaries on the Iliad and the Odyssey written in the Hellenistic period began exploring the textual inconsistencies of the poems. Modern classicists continue the tradition.

The excavations of Heinrich Schliemann in the late 19th century began to provide evidence to scholars that there was a historical basis for the Trojan War. Research (pioneered by the aforementioned Parry and Lord) into oral epics in Serbo-Croatian and Turkic languages began to convince scholars that long poems could be preserved with consistency by oral cultures until someone bothered to write them down. The decipherment of Linear B in the 1950s by Michael Ventris (and others) convinced others of a linguistic continuity between 13th century BC Mycenaean writings and the poems attributed to Homer.

It is probable, therefore, that the story of the Trojan War as reflected in the Homeric poems derives from a tradition of epic poetry founded on a war which actually took place. However, it is crucial not to underestimate the creative and transforming power of subsequent tradition: for instance, Achilles, the most important character of the Iliad, associated with Thessaly, has probably been added to a story where the attackers of Troy were from the Peloponnese

[سمادول] اتل جوړونه

In the Hellenistic period, Homer was the subject of a hero cult in several cities. A shrine devoted to Homer or Homereion was built in Alexandria by Ptolemy IV Philopator in the late 3rd century BC. This shrine is described in Aelian's 3rd century work Varia Historia. He described how Ptolemy had "placed in a circle around the statue [of Homer] all the cities who laid claim to Homer" and mentions a painting of the poet by the artist Galaton, which apparently depicted Homer in the aspect of Oceanus as the source of all poetry.

A marble relief, found in Italy but thought to have been sculpted in Egypt, depicts the apotheosis of Homer. It shows Ptolemy and his wife/sister Arsinoe III standing beside a seated Homer. The poet is shown flanked by figures from the Odyssey and Iliad, with the nine Muses standing above them and a procession of worshippers approaching an altar, believed to represent the Alexandrine Homereion. Apollo, god of music and poetry, also appears, along with a female figure tentatively identified as Mnemosyne, the mother of the Muses. Zeus, the king of the gods, presides over the proceedings. The relief demonstrates vividly how the Greeks considered Homer not just a great poet, but the divinely inspired source of all literature.^[2]

Homereia also stood at Chios, Ephesus and Smyrna, which were among the city-states that claimed to be the birthplace of Homer. Strabo (14.1.37) records a Homeric temple in Smyrna with an ancient xoanon or cult statue of the poet. He also mentions sacrifices carried out to Homer by the inhabitants of Argos, presumably at another Homereion.^[3]

[سمادول] Publication history

In late antiquity knowledge of Greek declined in Latin-speaking western Europe, and along with it knowledge of Homer's poems. It is not until the fifteenth century that Homer's work began to be read once more in Italy. The first arguably modern edition appeared in 1488.

[سمادول] يادښتونه

1. ↑ Lefkowitz, pp. 12-24.
2. ↑ Morgan, Llewelyn, 1999. Patterns of Redemption in Virgil's Georgics (Cambridge: Cambridge University Press), p. 30.
3. ↑ Zanker, Paul, 1996. The Mask of Socrates: The Image of the Intellectual in Antiquity, Alan Shapiro, trans. (Berkeley: University of California Press).

[سمادول] Selected bibliography

[سمادول] Editions

(texts in Homeric Greek)

• Demetrius Chalcondylas editio princeps, Florence, 1488
• the Aldine editions (1504 and 1517)
• Th. Ridel, Strassbourg, ca. 1572, 1588 and 1592.
• Wolf (Halle, 1794-1795; Leipzig, 1804 1807)
• Spitzner (Gotha, 1832-1836)
• Bekker (Berlin, 1843; Bonn, 1858)
• La Roche (Odyssey, 1867-1868; Iliad, 1873-1876, both at Leipzig)
• Ludwich (Odyssey, Leipzig, 1889-1891; Iliad, 2 vols., 1901 and 1907)
• W. Leaf (Iliad, London, 1886-1888; 2nd ed. 1900-1902)
• W. Walter Merry and James Riddell (Odyssey i.-xii., 2nd ed., Oxford, 1886)
• Monro (Odyssey xiii.-xxiv. with appendices, Oxford, 1901)
• Monro and Allen (Iliad), and Allen (Odyssey, 1908, Oxford).
• D.B. Monro and T.W. Allen 1917-1920, Homeri Opera (5 volumes: Iliad = 3rd edition, Odyssey = 2nd edition), Oxford. ISBN 0-19-814528-4, ISBN 0-19-814529-2, ISBN 0-19-814531-4, ISBN 0-19-814532-2, ISBN 0-19-814534-9
• H. van Thiel 1991, Homeri Odyssea, Hildesheim. ISBN 3-487-09458-4, 1996, Homeri Ilias, Hildesheim. ISBN 3-487-09459-2
• M.L. West 1998-2000, Homeri Ilias (2 volumes), Munich/Leipzig. ISBN 3-598-71431-9, ISBN 3-598-71435-1
• P. von der Mühll 1993, Homeri Odyssea, Munich/Leipzig. ISBN 3-598-71432-7
• Ilias in Wikisource

[سمادول] Interlinear translations

• John Jackson. Homer: Iliad Books 1-12, & 13-24, ed. by Monro, 3rd Ed.: © Oxford Univ. Press 1902, parsing and English definitions © 2005 Free eBook for Palm Handheld
• John Jackson. Homer: Odyssey © Oxford Univ. Press 1902, parsing and English definitions © 2006 Free eBook for Palm Handheld

[سمادول] Partial List of English translations

This is a partial list of translations into English of Homer's Iliad and Odyssey. For a more complete list see English Translations of Homer.

• George Chapman (1559–1634)
  • The Odyssey (1614). Free eBook at Bartleby.com
  • Chapman's Homer: The Iliad, Princeton University Press (1998) ISBN 0-691-00236-3.
• Thomas Hobbes (1588–1679)
  • The Iliads and Odysses of Homer (1675) Free eBook.
• Alexander Pope (1688–1744)
  • The Iliad (1715-1720). Free eBook at Project Gutenberg
  • The Odyssey, with William Broome and Elijah Fenton (1725-1726), The Heritage Press (1942) Template:ASIN; Easton Press (1978) Template:ASIN; Wildside Press (2002) ISBN 1-58715-674-1. Free eBook at Project Gutenberg
• William Cowper (1731–1800)
  • The Iliad of Homer Translated into English Blank Verse (1791) Free eBook at Project Gutenberg.
• Edward Smith-Stanley, 14th Earl of Derby (1799–1869)
  • The Iliad (1864) Free eBook at Project Gutenberg.
• Samuel Butler (1835–1902)
  • The Iliad, W.J. Black (1942) Template:ASIN; AMS Press (1968) Template:ASIN Free eBook at Project Gutenberg
  • The Odyssey, W.J. Black (1944) Template:ASIN Template:ASIN; AMS Press (1968) Template:ASIN; IndyPublish.com (2001) ISBN 1-4043-2238-8 Free eBook at Project Gutenberg
• Andrew Lang (1844–1912)
  • The Iliad, with Walter Leaf and S. H. Myers (Macmillan, 1883) Template:ASIN; Peter Smith Publisher Inc (1966) ISBN 0-8049-0115-5. Free eBook at Project Gutenberg
• Samuel Henry Butcher (1850–1910) and Andrew Lang (1844–1912)
  • The Odyssey Free eBook at Project Gutenberg.
• William Henry Denham Rouse (1863–1950)
  • The Odyssey, Signet Classics (1999) ISBN 0-451-52736-4
• Augustus Taber Murray (1866-1940)
  • Homer: Iliad, 2 vols., revised by William F. Wyatt, Loeb Classical Library, Harvard University Press (1999).
  • Homer: Odyssey, 2 vols., revised by George E. Dimock, Loeb Classical Library, Harvard University Press (1995).
• T.E. Shaw (T.E. Lawrence) (1888–1935)
  • The Odyssey of Homer, London, Walker, Merton, Rogers (1932)
• Richmond Lattimore (1906–1984)
  • The Iliad of Homer, University Of Chicago Press (1961) ISBN 0-226-46940-9
  • The Odyssey of Homer, Harper Perennial Modern Classics, reprint edition (1999) ISBN 0-06-093195-7
• Robert Fitzgerald (1910–1985)
  • The Iliad, Farrar, Straus and Giroux (2004) ISBN 0-374-52905-1
  • The Odyssey, Farrar, Straus and Giroux (1998) ISBN 0-374-52574-9
• Robert Fagles (b. 1933)
  • The Iliad, Penguin Classics (1998) ISBN 0-14-027536-3
  • The Odyssey, Penguin Classics (1999) ISBN 0-14-026886-3
• Stanley Lombardo (b. 1943)
  • Iliad, Hackett (1997) ISBN 0-87220-352-2
  • Odyssey, Hackett (2000) ISBN 0-87220-484-7
  • Iliad, (Audiobook) Parmenides (2006) ISBN 1-930972-08-3
  • Odyssey, (Audiobook) Parmenides (2006) ISBN 1-930972-06-7
  • The Essential Homer, (Audiobook) Parmenides (2006) ISBN 1-930972-12-1
  • The Essential Iliad, (Audiobook) Parmenides (2006) ISBN 1-930972-10-5
• Martin Hammond (b. 1944)
  • The Iliad: A New Prose Translation, Penguin Classics (1988) ISBN 0-14-044444-0
  • Homer: The Odyssey, Duckworth (2000) ISBN 0-7156-2958-1

[سمادول] General works on Homer

• J. Latacz 2004, Troy and Homer: Towards a Solution of an Old Mystery, Oxford, ISBN 0-19-926308-6; 5th updated and expanded edition, Leipzig 2005 (in Spanish 2003 ISBN 84-233-3487-2, modern Greek 2005 ISBN 960-16-1557-1)
• Robert Fowler (ed.), The Cambridge Companion to Homer, CUP, Cambridge 2004. ISBN 0-521-01246-5
• I. Morris and B. Powell 1997, A New Companion to Homer, Leiden. ISBN 90-04-09989-1
• A.J.B. Wace and F.H. Stubbings 1962, A Companion to Homer, London. ISBN 0-333-07113-1

[سمادول] Influential readings and interpretations

• E. Auerbach 1953, Mimesis, Princeton (orig. publ. in German, 1946, Bern), chapter 1. ISBN 0-691-11336-X
• M.W. Edwards 1987, Homer, Poet of the Iliad, Baltimore. ISBN 0-8018-3329-9
• B. Fenik 1974, Studies in the Odyssey, Wiesbaden ('Hermes' Einzelschriften 30).
• I.J.F. de Jong 1987, Narrators and Focalizers, Amsterdam/Bristol. ISBN 1-85399-658-0
• G. Nagy 1979, The Best of the Achaeans, Baltimore. ISBN 0-8018-6015-6

[سمادول] Commentaries

• Iliad:
  • P.V. Jones (ed.) 2003, Homer's Iliad. A Commentary on Three Translations, London. ISBN 1-85399-657-2
  • G. S. Kirk (gen. ed.) 1985-1993, The Iliad: A Commentary (6 volumes), Cambridge. ISBN 0-521-28171-7, ISBN 0-521-28172-5, ISBN 0-521-28173-3, ISBN 0-521-28174-1, ISBN 0-521-31208-6, ISBN 0-521-31209-4
  • J. Latacz (gen. ed.) 2002-, Homers Ilias. Gesamtkommentar. Auf der Grundlage der Ausgabe von Ameis-Hentze-Cauer (1868-1913) (2 volumes published so far, of an estimated 15), Munich/Leipzig. ISBN 3-598-74307-6, ISBN 3-598-74304-1
  • N. Postlethwaite (ed.) 2000, Homer's Iliad: A Commentary on the Translation of Richmond Lattimore, Exeter. ISBN 0-85989-684-6
  • M.W. Willcock (ed.) 1976, A Companion to the Iliad, Chicago. ISBN 0-226-89855-5
• Odyssey:
  • A. Heubeck (gen. ed.) 1990-1993, A Commentary on Homer's Odyssey (3 volumes; orig. publ. 1981-1987 in Italian), Oxford. ISBN 0-19-814747-3, ISBN 0-19-872144-7, ISBN 0-19-814953-0
  • P. Jones (ed.) 1988, Homer's Odyssey: A Commentary based on the English Translation of Richmond Lattimore, Bristol. ISBN 1-85399-038-8
  • I.J.F. de Jong (ed.) 2001, A Narratological Commentary on the Odyssey, Cambridge. ISBN 0-521-46844-2

[سمادول] Trends in Homeric scholarship

"Classical" analysis

• A. Heubeck 1974, Die homerische Frage, Darmstadt. ISBN 3-534-03864-9
• R. Merkelbach 1969, Untersuchungen zur Odyssee (2nd edition), Munich. ISBN 3-406-03242-7
• D. Page 1955, The Homeric Odyssey, Oxford.
• U. von Wilamowitz-Möllendorff 1916, Die Ilias und Homer, Berlin.
• F.A. Wolf 1795, Prolegomena ad Homerum, Halle. Published in English translation 1988, Princeton. ISBN 0-691-10247-3

Neoanalysis

• M.E. Clark 1986, "Neoanalysis: a bibliographical review," Classical World 79.6: 379-94.
• J. Griffin 1977, "The epic cycle and the uniqueness of Homer," Journal of Hellenic Studies 97: 39-53.
• J.T. Kakridis 1949, Homeric Researches, London. ISBN 0-8240-7757-1
• W. Kullmann 1960, Die Quellen der Ilias (Troischer Sagenkreis), Wiesbaden. ISBN 3-515-00235-9

Homer and oral tradition

• E. Bakker 1997, Poetry in Speech: Orality and Homeric Discourse, Ithaca NY. ISBN 0-8014-3295-2
• J.M. Foley 1999, Homer's Traditional Art, University Park PA. ISBN 0-271-01870-4
• G.S. Kirk 1976, Homer and the Oral Tradition, Cambridge. ISBN 0-521-21309-6
• A.B. Lord 1960, The Singer of Tales, Cambridge MA. ISBN 0-674-00283-0
• M. Parry 1971, The Making of Homeric Verse, Oxford. ISBN 0-19-520560-X
• B. B. Powell, 1991, "Homer and the Origin of the Greek Alphabet," ISBN 0-521-58907-X

[سمادول] Dating the Homeric poems

• R. Janko 1982, Homer, Hesiod and the Hymns, Cambridge. ISBN 0-521-23869-2

[سمادول] دا هم وګورۍ

• Catalogue of Ships

[سمادول] باندنۍ تړنې

Template:Wikisource author

• Collection of Homer-related links
• Greek lessons based on Homer
• Clyde Pharr, Homer and the study of Greek
• Homer